The Best American Noir of the Century

The driver shrugged and remained quiet for the rest of the ride. He brought the cab to a stop at the corner of Eleventh and Locust. The fare was a dollar twenty. Freddy gave him two dollars and told him to keep the change. As the cab drove away, Freddy walked west on Locust to Twelfth, walked south on Twelfth, then turned west again, moving through a narrow alley. There were no lights in the alley except for a rectangle of green neon far down toward the other end. The rectangle was a glowing frame for the neon wording, Billy’s Hut. It was also a beckoning finger for that special type of citizen who was never happy unless he was being ripped off in a clip joint. They’d soon be flocking through the front entrance on Locust Street. But Freddy Lamb, moving toward the back entrance, had it checked in his mind that the place was empty now. The dial of his wristwatch showed eight fifty-seven, and he knew it was too early for customers. He also knew that Billy Donofrio was sound asleep on a sofa in the backroom used as a private office. He knew it because he’d been watching Donofrio for more than two weeks and he was well acquainted with Donofrio’s nightly habits.

When Freddy was fifteen yards away from Billy’s Hut, he reached into his inner jacket pocket and took out a pair of white cotton gloves. When he was five yards away, he came to a stop and stood motionless, listening. There was the sound of a record player from some upstairs flat on the other side of the alley. From another upstairs flat there was the noise of lesbian voices saying, “You did,” and “I didn’t,” and “You did, you did—”

He listened for other sounds and there were none. He let the tip of his tongue come out just a little to moisten the center of his lower lip. Then he took a few forward steps that brought him to a section of brick wall where the bricks were loose. He counted up from the bottom, the light from the green neon showing him the fourth brick, the fifth, the sixth, and the seventh. The eighth brick was the one he wanted. He got a grip on its edges jutting away from the wall, pulled at it very slowly and carefully. Then he held it in one hand and his other hand reached into the empty space and made contact with the bone handle of a switchblade. It was a six-inch blade and he’d planted it there two nights ago.

He put the brick back in place and walked to the back door of Billy’s Hut. Bending to the side to see through the window, he caught sight of Billy Donofrio on the sofa. Billy was flat on his back, one short leg dangling over the side of the sofa, one arm also dangling, with fat fingers holding the stub of an unlit cigar. Billy was very short and very fat, and in his sleep he breathed as though it were a great effort. Billy was almost completely bald and what hair he had was more white than black. Billy was fifty-three years old and would never get to be fifty-four.

Freddy Lamb used a skeleton key to open the back door. He did it without a sound. And then, without a sound, he moved toward the sofa, his eyes focused on the crease of flesh between Billy’s third chin and Billy’s shirt collar. His arm went up and came down and the blade went into the crease, went in deep to cut the jugular vein, moved left, moved right, to widen the cut so that it was almost from ear to ear. Billy opened his eyes and tried to open his mouth but that was as far as he could take it. He tried to breathe and he couldn’t breathe. He heard the voice of Freddy Lamb saying very softly, almost gently, “Good night, Billy.” Then he heard Freddy’s footsteps moving toward the door, and the door opening, and the footsteps walking out.

Billy didn’t hear the door as it closed. By that time he was far away from hearing anything.

* * *

On Freddy’s wrist, the hands of the white-gold watch pointed to nine twenty-six. He stood on the sidewalk near the entrance of a nightclub called Yellow Cat. The place was located in a low-rent area of South Philadelphia, and the neighboring structures were mostly tenements and garages and vacant lots heaped with rubbish. The club’s exterior complied with the general trend; it was dingy and there was no paint on the wooden walls. But inside it was a different proposition. It was glittering and lavish, the drinks were expensive, and the floorshow featured a first-rate orchestra and singers and dancers. It also featured a unique type of striptease entertainment, a quintet of young females who took off their clothes while they sat at your table. For a reasonable bonus they’d let you keep the brassiere or garter or whatnot for a souvenir.

The white-gold watch showed nine twenty-eight. Freddy decided to wait another two minutes. His appointment with the owner of Yellow Cat had been arranged for nine-thirty. He knew that Herman Charn was waiting anxiously for his arrival, but his personal theory of punctuality stipulated split-second precision, and since they’d made it for nine-thirty he’d see Herman at nine-thirty, not a moment earlier or later.