The Bone Clocks

I’M POSSIBLY A bit drunk. Holly’s over by the silver punch bowls, among an asteroid belt of women talking nineteen to the dozen. Webbers, Sykeses, Corkonian Corcorans, A. N. Others … Who the hell areall these people? I pass a table where Dave’s playing Connect 4 with Aoife and losing with theatrical dismay. I never play with Aoife like that; she giggles as her granddad clutches his head and groans, “ Nooooo, you can’thave won again! I’m the Connect 4 king!” Wishing I’d responded to Holly’s frostiness earlier less frostily, I decide to offer Holly an olive branch. If she uses it to hit me across the face, then we’ll clearly establish who’s the moody cow and who occupies the moral high ground. I’m only three tight clusters of poshly attired people away from the woman officially known as my partner—when I’m intercepted and blocked by Pauline Webber, wielding a gangly young man. The lad’s dressed for a teenage snooker tournament—purple silk shirt, matching waistcoat, pallid complexion. “Ed, Ed, Ed!” she crows. “Reunited at last. This is Seymour, who I told you allabout. Seymour, Ed Brubeck, real liferoving reporter.” Seymour flashes a mouthful of dental braces. His handshake’s a bony grab, like a UFO catcher’s. Pauline smiles like a gratified matchmaker. “Do you know, I’d stab someone in the heart with a corkscrew for a camera right nowjust to capture the two of you?” Though she does nothing about commandeering one.

Seymour’s handshake is exceeding the recommended limit. His brow is constellated with angry zits—see the squashed W of Cassiopeia—and the drunken feeling that I’ve already dreamt this very scene is superseded by the feeling that, no, I only dreamt the feeling that I’ve dreamt this very scene. “I’m a big fan of your work, Mr. Brubeck.”

“Oh.” A wannabe newshound, seduced by tales of derring-do and sex with Danish photojournalists in countries suffixed withstan.

“You said you’d share a few secrets,” says Pauline Webber.

Did I? “Which secrets did I say I’d share, Pauline?”

“You devil, Ed.” She biffs my carnation. “Don’t play hard to get with me—we’re as good as family now.”

I need to get to Holly. “Seymour, what do you need to know?”

Seymour fixes me with his ventriloquist’s creepy eyes and wiry smile, while Pauline Webber’s voice slashes through the din: “What makes a great journalist a great journalist?”

I need painkillers, natural light, and air. “To quote an early mentor,” I tell the kid, “ ‘A journalist needs ratlike cunning, a plausible manner, and a little literary ability.’ Will that do?”

“What about the greats?” fires Pauline Webber’s voice.

“The greats? Well, they all share that quality Napoleon most admired in his generals: luck. Be in Kabul when it falls. Be in Manhattan on 9/11. Be in Paris the night Diana’s driver makes his fatal misjudgement.” I flinch as the windows blast in, but, no, that’s not now, that’s ten days ago. “A journalist marriesthe news, Seymour. She’s capricious, cruel, and jealous. She demands you follow her to wherever on Earth life is cheapest, where she’ll stay a day or two, then jet off. You, your safety, your family are nothing,” I say it like I’m blowing a smoke ring, “ nothing, to her. Fondly you tell yourself you’ll evolve a modus operandi that lets you be a good journalist anda good man, but no. That’s bollocks. She’ll habituate you to sights only doctors and soldiers should ever be habituated to, but while doctors earn sainthoods and soldiers get memorials, you, Seymour, will earn lice, frostbite, diarrhea, malaria, nights in cells. You’ll be spat on as a parasite and have your expenses questioned. If you want a happy life, Seymour, be something else. Anyway, we’re all going extinct.” Spent, I push past them and get to the punch bowls at bloody last …

… and find no sign of Holly. My phone vibrates. It’s from Olive Sun. I scroll through the message:

hi ed, hope wedding good, dufresne ok to interview thurs 22. can u fly cairns wed 21? dole fruits aunty take u direct from hotel. respond soonest, best, os

My first thought is, Result!Having excellent grounds for assuming that Spyglass’s communications are being intercepted by several government agencies, Olive Sun texts in code: Dufresne is our nom de textetaken from The Shawshank Redemptionfor the Palestinian tunneler-in-chief under the Gaza-Egyptian border; “Cairns” is Cairo; “dole fruits” is Hezbollah; and an aunty is a handler. It’s exactly the sort of Bondesque stuff that kids like Seymour suppose we do routinely, but there’s nothing remotely glamorous about being detained by the Egyptian security forces for seventy-two hours in a downtown Cairo bunker, waiting for a bored interrogator to come and ask you why you’re there.