"For the simple reason," said Perry Mason, "that he was pulling too hard. He was expecting a continued opposition. When he didn't get it, he pulled so hard that he was thrown down by the very vehemence of his own effort."
"I think I begin to see," Frank Everly said.
"Exactly," Perry Mason told him. "The jurors came into court this morning, interested spectators expecting to see a show. Drumm started in showing them horrors. I didn't do anything about it, and Claude Drumm simply went wild on the horror angle. He's had the jurors soaked in horror all the morning. He'll continue to soak them in horror after lunch. Unconsciously the minds of the jurors will seek some relief. They'll want something to laugh at. They'll unconsciously pray for something dramatic, such as happened yesterday, to take their minds away from the horror. It's a subconscious effort of the mind to adjust itself. Having experienced too much horror, it wants a bit of laughter as an antidote. It's part of the fickleness of the human mind.
"And remember this, Frank: whenever you get to the trial of a case, never try to arouse one single emotion in the minds of a jury and bear down steadily on that emotion.
"Pick some dominant emotion if you want, but touch on it only for a few moments. Then swing your argument to something else. Then come back to it. The human mind is like a pendulum; you can start it swinging a little at a time and gradually come back with added force, until finally you can close in a burst of dramatic oratory, with the jury inflamed to white rage against the other side. But if you try to talk to a jury for as much as fifteen minutes, and harp continually upon one line, you will find that the jurors have quit listening to you before you finish."
A look of dawning hope came over the young man's face.
"Then you're going to try and stampede the jury this afternoon?" he asked.
"Yes," said Perry Mason, "this afternoon I'm going to bust that case wide open. By not objecting, by not crossexamining, except upon minor points, I am speeding the case up. Claude Drumm, in spite of himself, finds his case moving so rapidly that it's getting out of hand. The horror sensation that he had expected to be doled out at varying intervals, over a period of three or four days, has all been dumped into the lap of the jury in two hours. It's too much horror for the jury to stand. They're getting ready to seize on some excuse to furnish an emotional relief.
"Claude Drumm expected to fight his way doggedly toward a goal. Instead of that, he finds that there's no resistance whatever. He's galloping down the field with such unexpected speed that his information can't keep up. He's busting his own case wide open."
"And you're going to do something this afternoon?" asked Frank Everly. "You're going to try something of your own?"
"This afternoon," said Perry Mason, his face set in firm lines, his eyes staring fixedly ahead, "I am going to try and get a verdict of not guilty."
He pinched out the cigarette, scraped back his chair.
"Come on, young man," he said, "let's go."
Chapter 21
True to Perry Mason's predictions, Claude Drumm introduced the clerk at the sporting goods store, who had been brought from Santa Barbara. The clerk identified the murder weapon as one that had been sold to the defendant on the 29th day of September of the preceding year. He showed the sale on the register of firearms; showed the signature of Bessie Forbes.
Triumphantly, Claude Drumm made a gesture toward Perry Mason.
"You," he declaimed, "may crossexamine the witness."
"No questions," drawled Perry Mason.
Claude Drumm frowned as the witness left the stand, then turned toward the courtroom and said, dramatically. "Call Thelma Benton."
Thelma Benton gave her testimony in a low, resonant voice. In response to questions by Claude Drumm she sketched rapidly the human drama in the life of the dead man. She told of his life in Santa Barbara; of the infatuation with Paula Cartright; of the elopement; of the purchase of the house on Milpas Drive; of the happiness of Forbes and his companion, in their illicit romance; then the mysterious tenant of the adjoining house; the continued inspection through binoculars; the sudden realization that this neighbor was none other than the wronged husband; the abrupt departure of Paula Cartright, and then of the murder.
"Crossexamine," declaimed Claude Drumm triumphantly.
Perry Mason got slowly to his feet.
"Your Honor," he said, "it will be readily apparent that this witness may, perhaps, be a witness whose testimony is of greatest importance. I understand there will be the usual five or ten minutes recess at approximately threethirty o'clock. It is now threeten, and I am perfectly willing to commence my crossexamination, and have it interrupted by the usual afternoon recess. But, aside from that interruption, I submit that I should be able to crossexamine this witness without interruption during the rest of the afternoon."