Читаем The Coming of Bill полностью

The statement does not include Hank Jardine, for Hank was out of New York; but the others—Shanklyn, the actor; Wren, the newspaper-man; Bryce, Johnson, Willis, Appleton, and the rest—sensed impending change in the air, and were uneasy, like cattle before a thunder-storm. The fact that the visits of Mrs. Porter and Ruth to inquire after George, now of daily occurrence, took place in the afternoon, while they, Kirk's dependents, seldom or never appeared in the studio till drawn there by the scent of the evening meal, it being understood that during the daytime Kirk liked to work undisturbed, kept them ignorant of the new development.

All they knew was that during the last two weeks a subtle change had taken place in Kirk. He was less genial, more prone to irritability than of old. He had developed fits of absent-mindedness, and was frequently to be found staring pensively at nothing. To slap him on the back at such moments, as Wren ventured to do on one occasion, Wren belonging to the jovial school of thought which holds that nature gave us hands in order to slap backs, was to bring forth a new and unexpected Kirk, a Kirk who scowled and snarled and was hardly to be appeased with apology. Stranger still, this new Kirk could be summoned into existence by precisely the type of story at which, but a few weeks back, he would have been the first to laugh.

Percy Shanklyn, whose conversation consisted of equal parts of autobiography and of stories of the type alluded to, was the one to discover this. His latest, which he had counted on to set the table in a roar, produced from Kirk criticism so adverse and so crisply delivered that he refrained from telling his latest but one and spent the rest of the evening wondering, like his fellow visitors, what had happened to Kirk and whether he was sickening for something.

Not one of them had the faintest suspicion that these symptoms indicated that Kirk, for the first time in his easy-going life, was in love. They had never contemplated such a prospect. It was not till his conscientious and laborious courtship had been in progress for over two weeks and was nearing the stage when he felt that the possibility of revealing his state of mind to Ruth was not so remote as it had been, that a chance visit of Percy Shanklyn to the studio during the afternoon solved the mystery.

One calls it a chance visit because Percy had not been meaning to borrow twenty dollars from Kirk that day at all. The man slated for the loan was one Burrows, a kindly member of the Lambs Club. But fate and a telegram from a manager removed Burrows to Chicago, while Percy was actually circling preparatory to the swoop, and the only other man in New York who seemed to Percy good for the necessary sum at that precise moment was Kirk.

He flew to Kirk and found him with Ruth. Kirk's utter absence of any enthusiasm at the sight of him, the reluctance with which he made the introduction, the glumness with which he bore his share of the three-cornered conversation—all these things convinced Percy that this was no ordinary visitor.

Many years of living by his wits had developed in Percy highly sensitive powers of observation. Brief as his visit was, he came away as certain that Kirk was in love with this girl, and the girl was in love with Kirk, as he had ever been of anything in his life.

As he walked slowly down-town he was thinking hard. The subject occupying his mind was the problem of how this thing was to be stopped.

Percy Shanklyn was a sleek, suave, unpleasant youth who had been imported by a theatrical manager two years before to play the part of an English dude in a new comedy. The comedy had been what its enthusiastic backer had described in the newspaper advertisements as a "rousing live-wire success." That is to say, it had staggered along for six weeks on Broadway to extremely poor houses, and after three weeks on the road, had perished for all time, leaving Percy out of work.

Since then, no other English dude part having happened along, he had rested, living in the mysterious way in which out-of-work actors do live. He had a number of acquaintances, such as the amiable Burrows, who were good for occasional loans, but Kirk Winfield was the king of them all. There was something princely about the careless open-handedness of Kirk's methods, and Percy's whole soul rose in revolt against the prospect of being deprived of this source of revenue, as something, possibly Ruth's determined chin, told him that he would be, should Kirk marry this girl.

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