Читаем The Coming of Bill полностью

"A sort of entertainment where everybody eats too much and talks all the time without ever saying a thing that's worth hearing."

Bill considered this gravely.

"Why?"

"Because they like it, I suppose."

"Why do they like it?"

"Goodness knows."

"Does mummy like it?"

"I suppose so."

"Does mummy eat too much?"

"She doesn't. The others do."

"Why?"

William Bannister's thirst for knowledge was at this time perhaps his most marked characteristic. No encyclopaedia could have coped with it. Kirk was accustomed to do his best, cheerfully yielding up what little information on general subjects he happened to possess, but he was like Mrs. Partington sweeping back the Atlantic Ocean with her broom.

"Because they've been raised that way," he replied to the last question. "Bill, old man, when you grow up, don't you ever become one of these fellows who can't walk two blocks without stopping three times to catch up with their breath. If you get like that mutt Dana Ferris you'll break my heart. And you're heading that way, poor kid."

"What's Ferris?"

"He's a man I met at dinner the other night. When he was your age he was the richest child in America, and everybody fussed over him till he grew up into a wretched little creature with a black moustache and two chins. You ought to see him. He would make you laugh; and you don't get much to laugh at nowadays. I guess it isn't hygienic for a kid to laugh. Bill, honestly—what do you think of things? Don't you ever want to hurl one of those sterilized bricks of yours at a certain lady? Or has she taken all the heart out of you by this time?"

This was beyond Bill, as Kirk's monologues frequently were. He changed the subject.

"I wish I had a cat," he said, by way of starting a new topic.

"Well, why haven't you a cat? Why haven't you a dozen cats if you want them?"

"I asked Aunty Lora could I have a cat, and she said: 'Certainly not, cats are—cats are——"

"Unhygienic?"

"What's that?"

"It's what your Aunt Lora might think a cat was. Or did she say pestilential?"

"I don't amember."

"But she wouldn't let you have one?"

"Mamie said a cat might scratch me."

"Well, you wouldn't mind that?" said Kirk anxiously.

He had come to be almost morbidly on the look-out for evidence which might go to prove that this cotton-wool existence was stealing from the child the birthright of courage which was his from both his parents. Much often depends on little things, and, if Bill had replied in the affirmative to the question, it would probably have had the result of sending Kirk there and then raging through the house conducting a sort of War of Independence.

The only thing that had kept him from doing so before was the reflection that Mrs. Porter's system could not be definitely taxed with any harmful results. But his mind was never easy. Every day found him still nervously on the alert for symptoms.

Bill soothed him now by answering "No" in a very decided voice. All well so far, but it had been an anxious moment.

It seemed incredible to Kirk that the life he was leading should not in time turn the child into a whimpering bundle of nerves. His conversations with Bill were, as a result, a sort of spiritual parallel to the daily taking of his temperature with the thermometer. Sooner or later he always led the talk round to some point where Bill must make a definite pronouncement which would show whether or not the insidious decay had begun to set in.

So far all appeared to be well. In earlier conversations Bill, subtly questioned, had stoutly maintained that he was not afraid of Indians, dogs, pirates, mice, cows, June-bugs, or noises in the dark. He had even gone so far as to state that if an Indian chief found his way into the nursery he, Bill, would chop his head off. The most exacting father could not have asked more. And yet Kirk was not satisfied: he remained uneasy.

It so happened that this afternoon Bill, who had had hitherto to maintain his reputation for intrepidity entirely by verbal statements, was afforded an opportunity of providing a practical demonstration that his heart was in the right place. The game he was playing with the bricks was one that involved a certain amount of running about with a puffing accompaniment of a vaguely equine nature. And while performing this part of the programme he chanced to trip. He hesitated for a moment, as if uncertain whether to fall or remain standing; then did the former with a most emphatic bump.

He scrambled up, stood looking at Kirk with a twitching lip, then gave a great gulp, and resumed his trotting. The whole exhibition of indomitable heroism was over in half a minute, and he did not even bother to wait for applause.

The effect of the incident on Kirk was magical. He was in the position of an earnest worshipper who, tortured with doubts, has prayed for a sign. This was a revelation. A million anti-Indian statements, however resolute, were nothing to this.

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Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза