Gabriel hardly heard what she said. Now that supper was coming near he began to think again about his speech and about the quotation. When he saw Freddy Malins coming across the room to visit his mother Gabriel left the chair free for him and retired into the embrasure of the window. The room had already cleared and from the back room came the clatter of plates and knives. Those who still remained in the drawing-room seemed tired of dancing and were conversing quietly in little groups. Gabriel's warm, trembling fingers tapped the cold pane of the window. How cool it must be outside! How pleasant it would be to walk out alone, first along by the river and then through the park! The snow would be lying on the branches of the trees and forming a bright cap on the top of the Wellington Monument. How much more pleasant it would be there than at the supper-table!
He ran over the headings of his speech: Irish hospitality, sad memories, the Three Graces, Paris, the quotation from Browning. He repeated to himself a phrase he had written in his review: `One feels that one is listening to a thought-tormented music.' Miss Ivors had praised the review. Was she sincere? Had she really any life of her own behind all her propagandism? There had never been any ill-feeling between them until that night. It unnerved him to think that she would be at the supper-table, looking up at him, while he spoke, with her critical quizzing eyes. Perhaps she would not be sorry to see him fail in his speech. An idea came into his mind and gave him courage. He would say, alluding to Aunt Kate and Aunt Julia: `Ladies and Gentlemen, the generation which is now on the wane among us may have had its faults, but for my part I think it had certain qualities of hospitality, of humour, of humanity, which the new and very serious and hyper-educated generation that is growing up around us seems to me to lack.' Very good: that was one for Miss Ivors. What did he care that his aunts were only two ignorant old women?
A murmur in the room attracted his attention. Mr Browne was advancing from the door, gallantly escorting Aunt Julia, who leaned upon his arm, smiling and hanging her head. An irregular musketry of applause escorted her also as far as the piano and then, as Mary Jane seated herself on the stool, and Aunt Julia, no longer smiling, half turned so as to pitch her voice fairly into the room, gradually ceased. Gabriel recognized the prelude. It was that of an old song of Aunt Julia's —
`I was just telling my mother,' he said, `I never heard you sing so well, never. No, I never heard your voice so good as it is tonight. Now! Would you believe that now? That's the truth. Upon my word and honour that's the truth. I never heard your voice sound so fresh and so... so clear and fresh, never.'
Aunt Julia smiled broadly and murmured something about compliments as she released her hand from his grasp. Mr Browne extended his open hand towards her and said to those who were near him in the manner of a showman introducing a prodigy to an audience:
`Miss Julia Morkan, my latest discovery!'
He was laughing very heartily at this himself when Freddy Malins turned to him and said:
`Well, Browne, if you're serious you might make a worse discovery. All I can say is I never heard her sing half so well as long as I am coming here. And that's the honest truth.'
`Neither did I,' said Mr Browne. `I think her voice has greatly improved.'
Aunt Julia shrugged her shoulders and said with meek pride:
`Thirty years ago I hadn't a bad voice as voices go.'
`I often told Julia,' said Aunt Kate emphatically, `that she was simply thrown away in that choir. But she never would be said by me.'
She turned as if to appeal to the good sense of the others against a refractory child, while Aunt Julia gazed in front of her, a vague smile of reminiscence playing on her face.