Abruptly the thought of lying still became unbearable. He rolled away from the wall and let gravity guide him onto his hands and knees. Hands bare, he felt about for the headlamp in widening circles, torn between disgust and terror at the viscous curd layering the floor. He could even taste the stuff, cold upon his teeth. He pressed his lips shut, but the smell was gamy, and there was no game in here, only his people. It was a monstrous thought.
At last he snagged the headlamp by its connecting wire, rocked back onto his heels, fumbled with the switch. There was a sound, distant or near, he couldn't tell. 'Hey?' he challenged. He paused, listened, heard nothing.
Laboring against his own panic, Ike flipped the switch on and off and on. It was like trying to spark a fire with wolves closing in. The sound again. He caught it this time. Nails scratching rock? Rats? The blood scent surged. What was going on here?
He muttered a curse at the dead light. With his fingertips he stroked the lens, searching for cracks. Gently he shook it, dreading the rattle of a shattered lightbulb. Nothing.
Was blind, but now I see .... The words drifted into his consciousness, and he was uncertain whether they were a song or his memory of it. The sound came more distinctly. 'Twas grace that taught my heart to fear. It washed in from far away, a woman's lush voice singing 'Amazing Grace.' Something about its brave syllables suggested less a hymn than an anthem. A last stand.
It was Kora's voice. She had never sung for him. But this was she. Singing for them all, it seemed.
Her presence, even in the far depths, steadied him. 'Kora,' he called. On his knees, eyes wide in the utter blackness, Ike disciplined himself. If it wasn't the switch or the bulb... he tried the wire. Tight at the ends, no lacerations. He opened the battery case, wiped his fingers clean and dry, and carefully removed each slender battery, counting in a whisper, 'One, two, three, four.' One at a time, he cleaned the tips against his T-shirt, then swabbed each contact in the case and replaced the batteries. Head up, head down, up, down. There was an order to things. He obeyed.
He snapped the plate back onto the case, drew gently at the wire, palmed the lamp. And flicked the switch.
Nothing.
The scratch-scratch noise rose louder. It seemed very close. He wanted to bolt away, any direction, any cost, just flee.
'Stick,' he instructed himself. He said it out loud. It was something like a mantra, his own, something he told himself when the walls got steep or the holds thin or the storms mean. Stick , as in hang. As in no surrender.
Ike clenched his teeth. He slowed his lungs. Again he removed the batteries. This time he replaced them with the batch of nearly dead batteries in his pocket. He flipped the switch.
Light. Sweet light. He breathed it in.
In an abattoir of white stone.
The image of butchery lasted one instant. Then his light flickered out.
'No!' he cried in the darkness, and shook the headlamp.
The light came on again, what little there was of it. The bulb glowed rusty orange,
grew weaker, then suddenly brightened, relatively speaking. It was less than a quarter-strength. More than enough. Ike took his eyes from the little bulb and dared to look around once more.
The passageway was a horror.
In his small circle of jaundiced light, Ike stood up. He was very careful. All around, the walls were zebra-striped with crimson streaks. The bodies had been arranged in a row.
You don't spend years in Asia without seeing a fair share of the dead. Many times, Ike had sat by the burning ghats at Pashaputanath, watching the fires peel flesh from bone. And no one climbed the South Col of Everest these days without passing a certain South African dreamer, or on the north side a French gentleman sitting silently by the trail at 28,000 feet. And then there had been that time the king's army opened fire on Social Democrats revolting in the streets of Kathmandu and Ike had gone to Bir Hospital to identify the body of a BBC cameraman and seen the corpses hastily lined side by side on the tile floor. This reminded him of that.
It rose in him again, the silence of birds. And how, for days afterward, the dogs had limped about from bits of glass broken out of windows. And above all else, how, in being dragged, a human body gets undressed.