'Who says they didn't?' asked Ali. She went on studying the statues. 'What intrigues me is how flexed the cranial base is. And how straight the jaws are. Remember that head Ike brought in? The skull fit differently on the neck. I distinctly remember that. It extended forward, like a chimp's. And the jaw had a pronounced thrust forward.'
'I saw that, too,' Troy said. 'Are you thinking what I am?'
'Reversal?'
'Exactly. I mean, possibly.' Troy opened his hands. 'I mean, I don't know, Ali.'
In lay terms, a straight jaw – orthognathicism – was an evolutionary climb above the more primitive trait of a jutting jaw. Anthropology did not deal in terms of evolutionary ascent, however, any more than it recognized evolutionary decline. A straight jaw was called a 'derived' trait. Like all traits, it expressed an adaptation to environmental pressures. But evolutionary pressures were in constant flux, and could lead to new traits that sometimes resembled primitive ones. This was called reversal. Reversal was not a going backward, but rather a seeming to do so. It was not a return to the primitive trait, but a new derived trait that mimicked the primitive trait. In this case the hadals had evolved a straight jaw fifteen or twenty thousand years ago, as seen on these statues, but had apparently derived a jutting jaw that was highly simian and primitive in its look. For whatever reason, H. hadalis seemed to be in reversal.
For Ali, the significance lay in what this meant to hadal speech and cognition. A straight jaw provided a wider range of consonants, and an erect neck-skull structure – basicranial flexion – meant a lower larynx or voice box, and that meant more vowel range. The fact that fifteen-thousand-year-old hadal statues had straight jaws and an erect head, and Ike's trophy head did not, suggested problems with modern hadal speech, and possibly with his cognition. Ali remembered Troy's remarks about symmetry in the hadal brain, too. What if subterranean conditions had evolved Haddie from a creature capable of sculpting this fortress, firing these terra-cotta warriors, and plying the sea and rivers, into a virtual beast? Ike had said hadals could no longer read hadal script. What if they had lost their ability to reason? What if Satan was nothing more than a savage cretin? What if the Gitners and Spurriers of the world were right, and H. hadalis deserved no better treatment than a vicious dog? Troy was troubled. 'How could they reverse so quickly, though? Call it twenty thousand years. That's not time enough for such a pronounced evolution, is it?'
'I can't explain it,' Ali said. 'But don't forget, evolution is an answer to environment, and look at the environment. Radioactive rock. Chemical gases. Electromagnetic surges. Gravitational anomalies. Who knows? Simple inbreeding may be to blame.'
Ike was just ahead with Ruiz and Pia, examining three figures waving swords of fire, looking them in the face as if checking his own identity. 'Is something wrong?' Ali asked.
'They're not like this anymore,' Ike said. 'They're similar, but they've changed.' Ali and Troy looked at each other.
'How do you mean?' Ali thought he would speak to some of the physical differences she and Troy had noticed.
Ike raised his hands to the entire tableaux. 'Look at this. This is – this was – greatness. Magnificence. In all my time among them, there was never any hint of that. Magnificence? Never.'
They spent the rest of the first day and the next exploring. Flowstone oozed from doorways, collapsing sections. Deeper in, they found a wealth of relics, most of them human. There were ancient coins from Stygia and Crete mixed with American buffalo
nickels and Spanish doubloons minted in Mexico City. They found Coke bottles, Japanese baseball cards, and a flintlock. There were books written in dead languages, a set of samurai armor, an Incan mirror, and, beneath that, figurines and clay tablets and bone carvings from civilizations long forgotten. One of their strangest discoveries was an armillary, a Renaissance-era teaching device with metal spheres inside one another to depict planetary revolutions. 'What in God's name is a hadal doing with something like this?' Ruiz wanted to know.