At 8,700 fathoms – almost ten miles deep – they reached a ledge overlooking a canyon. The stream of water joined others and became a waterfall that leaped into freefall. The stone was shot through with fluorines, providing a ghostly luminescence. They were standing at the rim of a hanging valley, partway up the wall. Their waterfall was one of hundreds threading the walls.
Their path snaked across the shield of olive stone, carved into solid rock, where the natural fissures gave out. Chunks of enormous stalactite bridged a section. Iron chains traversed blank spots.
The climb down took all of Ike's attention. The pathway was old and bordered by a precipice falling a thousand feet to the floor. The girl decided this was her opportunity to terminate the relationship. She abruptly pitched herself off the edge, body and soul. It was a good effort and almost took Ike over with her, but he managed to pull her kicking and thrashing back to safety. For the next three days he had to be on constant guard against any further such episodes.
Near the bottom, fog drifted in big ragged islands, like New Mexico clouds. Ike thought the waterfalls must be feeding the fog. They came to a series of broken
columns forming a sprawling course of polygonal stairs. Each column had snapped off at a ninety-degree angle, exposing neat, flat tops. Ike noticed the girl's thighs trembling from the descent, and gave her a rest.
They were eating little, mostly insects and some of the shoots topping reeds that grew by the water. Ike could have gone scavenging, but chose not to. Progress aside, he was using the hunger to make the girl more pliable. They were deep in enemy territory, and he meant to get deeper without her setting off any alarms. He figured hunger was kinder than tightened ropes.
The sound of waterfalls pouring from the walls made a steady thunder. They moved among fins of rock that sliced the fog and menaced them with false trails. They passed skeletons of animals that had grown exhausted in the maze.
The fog had a pulse to it, ebbing and flowing. Sometimes it lowered around their heads or feet. It was only by chance that Ike heard a party of hadals approaching through one such tidal bank of fog.
Ike wasted no time bulldogging his prisoner to the ground before she could make any trouble. They stretched flat, bellies to the stone, and then for good measure he climbed on top of her and clamped one hand over her mouth. She struggled, but quickly ran out of breath. He settled his cheek onto her thick hair, and his eyes ranged beneath the ceiling of fog. Its cold mass hung just inches above the stone.
Suddenly a foot appeared by Ike's head. It seemed to reach down from the fog. He could have grabbed the ankle without reaching. Its toes were long. The foot gripped the stone floor as if shoveling gravity. The arch had flattened wide over a lifetime of travels. Ike looked at his own fingers, and they appeared thin and weak next to that brute testament of cracked and yellow nails and veined weight.
The foot relinquished its hold upon the earth as its mate set down just ahead. The creature walked on, soft as a ballerina. Ike's mind raced. Size sixteen, at least.
The creature was followed by others. Ike counted six. Or seven. Or eight. Were they searching for him and the girl? He doubted it. Probably it was a hunting party, or interceptors, their stone-age equivalent of centurions.
The padding of feet stopped not far ahead. Soon Ike could hear the hadals at the site of a kill, cracking sticks. Bones, he knew. By the sound of it, their prey had been larger than hominid. Then he heard what sounded like strips of carpet being torn. It was skin, he realized. They were rawhiding the dead thing, whatever it was. He was tempted to wait until they left, then go scavenge the remains. But while the fog held, he got the girl on her feet and they made a broad arc around the party.
The panels of stone grew wild with aboriginal scrawl, old and new. The hadal script
– cut or painted ten thousand years ago – overlaid images overlaid on other images. It was like text foxing through text in old books, a ghost language.