Читаем The Double полностью

As luck would have it, there was no dancing at that moment. The ladies were strolling about the ballroom in picturesque groups. The men clustered in little circles or darted about the room engaging the ladies. Mr. Goliadkin did not notice any of it. He saw only Klara Olsufyevna; beside her Andrei Filippovich, then Vladimir Semyonovich, and another two or three officers, and another two or three young men, also quite interesting, giving or having already realized, as could be judged at first glance, certain hopes…He saw some others. Or no, he no longer saw anyone, no longer looked at anyone…but, moved by the same spring that had caused him to pop uninvited into someone else’s ball, he stepped forward, then further forward, and further forward; ran into some councillor in passing, trod on his foot; incidentally stepped on one venerable old lady’s dress and tore it slightly, shoved a man with a tray, shoved somebody else, and, not noticing any of it, or rather, noticing it, but just so, in passing, without looking at anyone, making his way further and further forward, he suddenly ended up in front of Klara Olsufyevna herself. Doubtless, without batting an eye, he would have sunk through the earth at that moment with the greatest pleasure; but what’s done cannot be undone…cannot possibly be undone. What was he to do? “If I don’t succeed, I keep quiet; if I do succeed, I keep trying.” Mr. Goliadkin, to be sure, “was not an intriguer and was no master at polishing the parquet with his boots…” It just happened that way. Besides, the Jesuits somehow got mixed up in it all…However, Mr. Goliadkin could not be bothered with them! Everything that walked, noised, talked, laughed, suddenly, as if by some sign, became hushed and gradually crowded around Mr. Goliadkin. Mr. Goliadkin, however, seemed to hear nothing, to see nothing, he could not look…not for anything would he look; he lowered his eyes to the ground and just stood like that, having given himself in passing, however, his word of honor to shoot himself somehow that same night. Having given himself this word of honor, Mr. Goliadkin said to himself mentally: “Here goes!” and, to his own greatest amazement, quite unexpectedly began suddenly to speak.

Mr. Goliadkin began with congratulations and appropriate wishes. The congratulations went well; but our hero faltered at the wishes. He had the feeling that if he faltered, everything would go to the devil at once. And so it happened—he faltered and got stuck…got stuck and blushed; blushed and became flustered; became flustered and raised his eyes; raised his eyes and looked around; looked around and—and went dead…Everything stood, everything was silent, everything waited; a little further away there was whispering, a little closer—laughter. Mr. Goliadkin cast a humble, lost glance at Andrei Filippovich. Andrei Filippovich responded to Mr. Goliadkin with such a look that, if our hero had not already been fully, completely destroyed, he would certainly have been destroyed a second time—if only that were possible. The silence continued.

“This has more to do with my domestic circumstances and my private life, Andrei Filippovich,” the half-dead Mr. Goliadkin said in a barely audible voice, “this is not an official event, Andrei Filippovich…”

“Shame on you, sir, shame on you!” Andrei Filippovich spoke in a half-whisper, with a look of inexpressible indignation—spoke, took Klara Olsufyevna by the arm, and turned away from Mr. Goliadkin.

“I have nothing to be ashamed of, Andrei Filippovich,” replied Mr. Goliadkin in the same half-whisper, looking around with his unhappy glance, at a loss, and trying on account of it to find some middle ground in the perplexed crowd, and his own social position.

Перейти на страницу:

Похожие книги

Отверженные
Отверженные

Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука
1984. Скотный двор
1984. Скотный двор

Роман «1984» об опасности тоталитаризма стал одной из самых известных антиутопий XX века, которая стоит в одном ряду с «Мы» Замятина, «О дивный новый мир» Хаксли и «451° по Фаренгейту» Брэдбери.Что будет, если в правящих кругах распространятся идеи фашизма и диктатуры? Каким станет общественный уклад, если власть потребует неуклонного подчинения? К какой катастрофе приведет подобный режим?Повесть-притча «Скотный двор» полна острого сарказма и политической сатиры. Обитатели фермы олицетворяют самые ужасные людские пороки, а сама ферма становится символом тоталитарного общества. Как будут существовать в таком обществе его обитатели – животные, которых поведут на бойню?

Джордж Оруэлл

Классический детектив / Классическая проза / Прочее / Социально-психологическая фантастика / Классическая литература