Читаем The Early Ayn Rand полностью

Society had taken us back, even with more appreciation than before, perhaps. Henry became the most popular, the most eagerly expected guest everywhere. He had made a rapid career. He was not very rich yet, but his name began to be mentioned among those of the most brilliant engineers. When a man is so interesting, so fascinating as he was, lack of money will never mean much to society...

Then it happened... I have had the strength to live through it, I shall have the strength to write it down...

A new woman came to our town and appeared in our society. Her name was Claire Van Dahlen. She was divorced and had come from New York after a trip to Europe to rest in our little town, where she had some distant relatives. I saw her on the first evening she appeared in our society, at a dancing party.

She had the body of an antique statuette. She had golden skin and dark-red lips. Her black hair was parted in the middle, combed straight and brilliant, and she wore long, hanging perfume-earrings. She had slow, soft, fluent movements; it seemed that her body had no bones at all. Her arms undulated like velvet ribbons. She was dressed very simply, but it was the simplicity that costs thousands of dollars... She was gorgeously, stunningly beautiful.

Our society was amazed with admiration; they had never seen a woman like this... She was perfectly charming and gracious with everybody, but she had that haughty, disinterested smile of women accustomed to and tired of admiration.

Henry looked at her... he looked too long and too fixedly. The glance with which he followed her every movement was full of a strange admiration, too intense for him. He danced with her several times.

At the end of the party, a crowd of young men rushed to ask the favor of bringing Mrs. Van Dahlen home. "I will have to choose," she said, with a charming, indulgent smile.

"Choose from everyone present!" proposed one of her eager new admirers.

"From everyone?" she repeated, with her smile. She paused, then: "Well, it will be Mr. Stafford."

Henry had not asked for the favor; he was astonished. But it was impossible to refuse. Mr. Barnes brought me home.

When Henry came back and I asked his opinion of her, he said shortly and indifferently: "Yes, very interesting." I had seen that he was much more impressed than this, but I did not pay any attention to it.

The next time we had to go to a party, Henry had no desire to go out that evening. He was tired, he had work to do. "Why, Henry, they expect us," I said. "There will be many persons tonight: Mr. and Mrs. Harwings, Mr. and Mrs. Hughes, Mrs. Brooks, Mrs. Van Dahlen, Mr. Barnes..."

"Well, yes, I think we might go," he said suddenly.

He danced with Claire Van Dahlen that evening more than anyone else. Her dress had a very low neck in back, and I saw his fingers sometimes touch her soft silken skin. The look in her eyes, which were fixed straight into his, between her long, dark lashes, astonished me... At the table, they were placed near one another: the hostess wanted to please Mrs. Van Dahlen.

After this Henry missed no party where she appeared. He took her for rides in his automobile. He called at her relatives', where she lived. He managed to be in theaters the evenings she was there. He had a strange look, eager and excited. At home, he was always busy, working with an unusual speed, then hurrying somewhere.

I saw it, I was astonished; that was all. I had no suspicion whatever. The thing I could have suspected was so horrible, so unbelievably atrocious, that it simply could not slip into my mind. I could not think of it.

Then, suddenly, he broke off every relation with her. He did not want to go out. He refused sternly every invitation.

He was dark, and beneath his darkness I distinguished one thing — fear.

Then I understood. His courtship had meant nothing to me; his break told me everything. Oh, not immediately, of course. These things never happen immediately. First, a vague, uncertain thought, a supposition, that made my blood cold. Then a doubt. A desperate fight against this doubt, which only made it stronger. Then an attentive, frightful study. Then — certainty. Henry loved Claire Van Dahlen... Yes, it is my own hand that writes this sentence.

There are things, there are moments in life, which you must not speak about. That was what I felt when I told this sentence to myself for the first time. I found some gray hair on my head that day.

Then came a madness. I could not believe it. It was there and it could not enter into my brain. Oh, that awful feeling of everything falling, falling down, everything around me and in me!... There were days when I was calm, hysterically calm, and I cried it was impossible. There were nights when I bit my hands till blood... And then I resolved to fight.

Перейти на страницу:

Похожие книги

Человек из оркестра
Человек из оркестра

«Лениздат» представляет книгу «Человек из оркестра. Блокадный дневник Льва Маргулиса». Это записки скрипача, принимавшего участие в первом легендарном исполнении Седьмой симфонии Д. Д. Шостаковича в блокадном Ленинграде. Время записей охватывает самые трагические месяцы жизни города: с июня 1941 года по январь 1943 года.В книге использованы уникальные материалы из городских архивов. Обширные комментарии А. Н. Крюкова, исследователя музыкального радиовещания в Ленинграде времен ВОВ и блокады, а также комментарии историка А. С. Романова, раскрывающие блокадные и военные реалии, позволяют глубже понять содержание дневника, узнать, что происходило во время блокады в городе и вокруг него. И дневник, и комментарии показывают, каким физическим и нравственным испытаниям подвергались жители блокадного города, открывают неизвестные ранее трагические страницы в жизни Большого симфонического оркестра Ленинградского Радиокомитета.На вклейке представлены фотографии и документы из личных и городских архивов. Читатели смогут увидеть также партитуру Седьмой симфонии, хранящуюся в нотной библиотеке Дома радио. Книга вышла в год семидесятилетия первого исполнения Седьмой симфонии в блокадном Ленинграде.Открывает книгу вступительное слово Юрия Темирканова.

Галина Муратова , Лев Михайлович Маргулис

Биографии и Мемуары / Драматургия / Драматургия / Проза / Советская классическая проза / Самиздат, сетевая литература / Документальное / Пьесы
Берег Утопии
Берег Утопии

Том Стоппард, несомненно, наиболее известный и популярный из современных европейских драматургов. Обладатель множества престижных литературных и драматургических премий, Стоппард в 2000 г. получил от королевы Елизаветы II британский орден «За заслуги» и стал сэром Томом. Одна только дебютная его пьеса «Розенкранц и Гильденстерн мертвы» идет на тысячах театральных сцен по всему миру.Виртуозные драмы и комедии Стоппарда полны философских размышлений, увлекательных сюжетных переплетений, остроумных трюков. Героями исторической трилогии «Берег Утопии» неожиданно стали Белинский и Чаадаев, Герцен и Бакунин, Огарев и Аксаков, десятки других исторических персонажей, в России давно поселившихся на страницах школьных учебников и хрестоматий. У Стоппарда они обернулись яркими, сложными и – главное – живыми людьми. Нескончаемые диалоги о судьбе России, о будущем Европы, и радом – частная жизнь, в которой герои влюбляются, ссорятся, ошибаются, спорят, снова влюбляются, теряют близких. Нужно быть настоящим магом театра, чтобы снова вернуть им душу и страсть.

Том Стоппард

Драматургия / Стихи и поэзия / Драматургия