The Emigrants

once outsize and miniature, it is frequented nowadays almost exclusively by the Japanese, who are steered through the minutely prescribed daily programme by the hotel staff with an exquisite but also, as I observed, ice-cold courtesy verging on the indignant. And indeed, at the Normandy one felt one was not so much in a celebrated hotel of international standing as in a gastronomic pavilion built by the French for a world fair somewhere near Osaka, and I for one should not have been surprised in the slightest if I had walked out of the Normandy to find next to it another incongruous fantasy in the Balinese or Tyrolean style. Every three days the Japanese at the Normandy were exchanged for a new contingent of their countrymen, who, as one hotel guest explained to me, were brought direct, in air-conditioned coaches, from Charles de Gaulle airport to Deauville, the third call (after Las Vegas and Atlantic City) in a global gambling tour that took them on, back to Tokyo, via Vienna, Budapest and Macao. In Deauville, every morning at ten, they would troop over to the new casino, which was built at the same time as the Normandy, where they would play the machines till lunchtime, in arcades dense with flashing, kaleidoscopic lights and tootling garlands of sound. The afternoons and evenings were also spent at the machines, to which, with stoical faces, they sacrificed whole handfuls of coins; and like children on a spree they were delighted when at last a payout tinkled forth from the box. I never saw any of them at the roulette table. As midnight approached, only a few dubious clients from the provinces would be playing there, shady lawyers, estate agents or car dealers with their mistresses, trying to out-manoeuvre Fortune, who stood before them in the person of a stocky croupier clad inappropriately in the livery of a circus attendant in the big top. The roulette table, screened off with jade-green glass paravents, was in a recently refurbished inner hall — not, in other words, where players had gambled at Deauville in former times. I knew that in those days the gaming hall was much larger. Then there had been two rows of roulette and baccarat tables as well as tables where one could bet on little horses that kept running round and round in circles. Chandeliers of Venetian glass hung from the stuccoed ceiling, and through a dozen eight-metre-high half-rounded windows one looked out onto a terrace where the most exotic of personages would be gathered, in couples or groups; and beyond the balustrade, in the light that fell from the casino, one could see the white sands and, far out, the ocean-going yachts and small steamers, lit up and riding at anchor, beaming their Aldis lamps into the night sky, and little boats moving to and fro like slow glow-worms between them and the coast. When I first set foot in the casino at Deauville, the old gaming hall was filled with the last glimmer of evening light. Tables had been laid for a good hundred people, for a wedding banquet or some anniversary celebration. The rays of the setting sun were caught by the glasses and glinted on the silver drums of the band that was just beginning to rehearse for their gig. The instrumentalists were curly-haired and no longer the youngest. The songs they played dated from the Sixties, songs I heard countless times in the Union bar in Manchester. It is the evening of the day. The vocalist, a blonde girl with a voice still distinctly child-like, breathed passionately into the microphone, which she held up close to her lips with both hands. She was singing in English, though with a pronounced French accent. It is the evening of the day, I sit and watch the children play. At times, when she could not remember the proper words, her singing would become an ethereal hum. I sat down in one of the white lacquer chairs. The music filled the whole room. Pink puffy clouds right up to the golden arabesques of the ceiling stucco. "A whiter shade of pale."