The Emigrants

only be imagining it, Dr. Selwyn went on in a lower tone, to himself, since Elli has come to seem a stranger to me over the years, whereas Naegeli seems closer whenever he comes to my mind, despite the fact that I never saw him again after that farewell in Meiringen. Not long after mobilization, Naegeli went missing on his way from the Oberaar cabin to Oberaar itself. It was assumed that he had fallen into a crevasse in the Aare glacier. The news reached me in one of the first letters I received when I was in uniform, living in barracks, and it plunged me into a deep depression that nearly led to my being discharged. It was as if I was buried under snow and ice. But this is an old story, said Dr. Selwyn after a lengthy pause. We ought really, he said, turning to Edwin, to show our guests the pictures we took on our last visit to Crete. We returned to the drawing room. The logs were glowing in the dark. Dr. Selwyn tugged a bell-pull to the right of the fireplace, and almost instantly, as if she had been waiting in the passage for the signal, Elaine pushed in a trolley with a slide projector on it. The large ormolu clock on the mantelpiece and the Meissen figurines, a shepherd and shepherdess and a colourfully clad Moor rolling his eyes, were moved aside, and the wooden-framed screen Elaine had brought in was put up in front of the mirror. The low whirr of the projector began, and the dust in the room, normally invisible, glittered and danced in the beam of light by way of a prelude to the pictures themselves. Their journey to Crete had been made in the springtime. The landscape of the island seemed veiled in bright green as it lay before us. Once or twice, Edwin was to be seen with his field glasses and a container for botanical specimens, or Dr. Selwyn in knee-length shorts, with a shoulder bag and butterfly net. One of the shots resembled, even in detail, a photograph of Nabokov in the mountains above Gstaad that I had clipped from a Swiss magazine a few days before.

Strangely enough, both Edwin and Dr. Selwyn made a distinctly youthful impression on the pictures they showed us, though at the time they made the trip, exactly ten years earlier, they were already in their late sixties. I sensed that, for both of them, this return of their past selves was an occasion for some emotion. But it may be that it merely seemed that way to me because neither Edwin nor Dr. Selwyn was willing or able to make any remark concerning these pictures, whereas they did comment on the many others showing the springtime flora of the island, and all manner of winged and creeping creatures. Whilst their images were on screen, trembling slightly, there was almost total silence in the room. In the last of the pictures we saw the expanse of the Lasithi plateau outspread before us, taken from the heights of one of the northern passes. The shot must have been taken around midday, since the sun was shining into our line of vision. To the south, lofty Mount Spathi, two thousand metres high, towered above the plateau, like a mirage beyond the flood of light. The fields of potatoes and vegetables across the broad valley floor, the orchards and clumps of other trees, and the untilled land, were awash with green upon green, studded with the hundreds of white sails of wind pumps. We sat looking at this picture for a long time in silence too, so long that the glass in the slide shattered and a dark crack fissured across the screen. That view of the Lasithi plateau, held so long till it shattered, made a deep impression on me at the time, yet it later vanished from my mind almost completely. It was not until a few years afterwards that it returned to me, in a London cinema, as I followed a conversation between Kaspar Hauser and his teacher, Daumer, in the kitchen garden at Daumer's home. Kaspar, to the delight of his mentor, was distinguishing for the first time between dream and reality, beginning his account with the words: I was in a dream, and in my dream I saw the Caucasus. The camera then moved from right to left, in a sweeping arc, offering a panoramic view of a plateau ringed by mountains, a plateau with a distinctly Indian look to it, with pagoda-like towers and temples with strange triangular facades amidst the green undergrowth and woodland: follies, in a pulsing dazzle of light, that kept reminding me of the sails of those wind pumps of Lasithi, which in reality I have still not seen to this day.