“I know all about sarongs.” Caravaggio waved his hand towards Kip and Hana as he spoke. “In the east end of Toronto I met these Indians. I was robbing a house and it turned out to belong to an Indian family. They woke from their beds and they were wearing these cloths, sarongs, to sleep in, and it intrigued me. We had lots to talk about and they eventually persuaded me to try it. I removed my clothes and stepped into one, and they immediately set upon me and chased me half naked into the night.”
“Is that a true story?” She grinned.
“One of many!”
She knew enough about him to almost believe it. Caravaggio was constantly diverted by the human element during burglaries. Breaking into a house during Christmas, he would become annoyed if he noticed the Advent calendar had not been opened up to the date to which it should have been. He often had conversations with the various pets left alone in houses, rhetorically discussing meals with them, feeding them large helpings, and was often greeted by them with considerable pleasure if he returned to the scene of a crime.
She walks in front of the shelves in the library, eyes closed, and at random pulls out a book. She finds a clearing between two sections in a book of poetry and begins to write there.
At four in the afternoon they had lowered Kip into the pit in a harness until he was waist-deep in the muddy water, his body draped around the body of the Esau bomb. The casing from fin to tip ten feet high, its nose sunk into the mud by his feet. Beneath the brown water his thighs braced the metal casing, much the way he had seen soldiers holding women in the corner of NAAFI dance floors. When his arms tired he hung them upon the wooden struts at shoulder level, which were there to stop mud collapsing in around him. The sappers had dug the pit around the Esau and set up the wood-shaft walls before he had arrived on the site. In 1941, Esau bombs with a new Y fuze had started coming in; this was his second one.
It was decided during planning sessions that the only way around the new fuze was to immunize it. It was a huge bomb in ostrich posture. He had come down barefoot and he was already sinking slowly, being caught within the clay, unable to get a firm hold down there in the cold water. He wasn’t wearing boots—they would have locked within the clay, and when he was pulleyed up later the jerk out of it could break his ankles.
He laid his left cheek against the metal casing, trying to think himself into warmth, concentrating on the small touch of sun that reached down into the twenty-foot pit and fell on the back of his neck. What he embraced could explode at any moment, whenever tumblers tremored, whenever the gaine was fired. There was no magic or X ray that would tell anyone when some small capsule broke, when some wire would stop wavering. Those small mechanical semaphores were like a heart murmur or a stroke within the man crossing the street innocently in front of you.
What town was he in? He couldn’t even remember. He heard a voice and looked up. Hardy passed the equipment down in a satchel at the end of a rope, and it hung there while Kip began to insert the various clips and tools into the many pockets of his tunic. He was humming the song Hardy had been singing in the jeep on the way to the site—