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Felix was very fond of the little lake which occupied so many of Mr. Wentworth's numerous acres, and of a remarkable pine grove which lay upon the further side of it, planted upon a steep embankment and haunted by the summer breeze. The murmur of the air in the far off tree-tops had a strange distinctness; it was almost articulate. One afternoon the young man came out of his painting-room and passed the open door of Eugenia's little salon. Within, in the cool dimness, he saw his sister, dressed in white, buried in her arm-chair, and holding to her face an immense bouquet. Opposite to her sat Clifford Wentworth, twirling his hat. He had evidently just presented the bouquet to the Baroness, whose fine eyes, as she glanced at him over the big roses and geraniums, wore a conversational smile. Felix, standing on the threshold of the cottage, hesitated for a moment as to whether he should retrace his steps and enter the parlor. Then he went his way and passed into Mr. Wentworth's garden. That civilizing process to which he had suggested that Clifford should be subjected appeared to have come on of itself. Felix was very sure, at least, that Mr. Wentworth had not adopted his ingenious device for stimulating the young man's aesthetic consciousness. "Doubtless he supposes," he said to himself, after the conversation that has been narrated, "that I desire, out of fraternal benevolence, to procure for Eugenia the amusement of a flirtation—or, as he probably calls it, an intrigue—with the too susceptible Clifford. It must be admitted—and I have noticed it before—that nothing exceeds the license occasionally taken by the imagination of very rigid people." Felix, on his own side, had of course said nothing to Clifford; but he had observed to Eugenia that Mr. Wentworth was much mortified at his son's low tastes. "We ought to do something to help them, after all their kindness to us," he had added. "Encourage Clifford to come and see you, and inspire him with a taste for conversation. That will supplant the other, which only comes from his puerility, from his not taking his position in the world—that of a rich young man of ancient stock—seriously enough. Make him a little more serious. Even if he makes love to you it is no great matter."

"I am to offer myself as a superior form of intoxication—a substitute for a brandy bottle, eh?" asked the Baroness. "Truly, in this country one comes to strange uses."

But she had not positively declined to undertake Clifford's higher education, and Felix, who had not thought of the matter again, being haunted with visions of more personal profit, now reflected that the work of redemption had fairly begun. The idea in prospect had seemed of the happiest, but in operation it made him a trifle uneasy. "What if Eugenia—what if Eugenia"—he asked himself softly; the question dying away in his sense of Eugenia's undetermined capacity. But before Felix had time either to accept or to reject its admonition, even in this vague form, he saw Robert Acton turn out of Mr. Wentworth's inclosure, by a distant gate, and come toward the cottage in the orchard. Acton had evidently walked from his own house along a shady by-way and was intending to pay a visit to Madame Munster. Felix watched him a moment; then he turned away. Acton could be left to play the part of Providence and interrupt—if interruption were needed—Clifford's entanglement with Eugenia.

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В круге первом
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Во втором томе 30-томного Собрания сочинений печатается роман «В круге первом». В «Божественной комедии» Данте поместил в «круг первый», самый легкий круг Ада, античных мудрецов. У Солженицына заключенные инженеры и ученые свезены из разных лагерей в спецтюрьму – научно-исследовательский институт, прозванный «шарашкой», где разрабатывают секретную телефонию, государственный заказ. Плотное действие романа умещается всего в три декабрьских дня 1949 года и разворачивается, помимо «шарашки», в кабинете министра Госбезопасности, в студенческом общежитии, на даче Сталина, и на просторах Подмосковья, и на «приеме» в доме сталинского вельможи, и в арестных боксах Лубянки. Динамичный сюжет развивается вокруг поиска дипломата, выдавшего государственную тайну. Переплетение ярких характеров, недюжинных умов, любовная тяга к вольным сотрудницам института, споры и раздумья о судьбах России, о нравственной позиции и личном участии каждого в истории страны.А.И.Солженицын задумал роман в 1948–1949 гг., будучи заключенным в спецтюрьме в Марфино под Москвой. Начал писать в 1955-м, последнюю редакцию сделал в 1968-м, посвятил «друзьям по шарашке».

Александр Исаевич Солженицын

Историческая проза / Классическая проза / Русская классическая проза / Проза
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Приключения / Морские приключения / Проза / Классическая проза