" That's cheating!' cried the little girl. She ran at the wall and they had just an awful fight, but in the end everything melted away, leaving a handful of pebbles and sand, and afterward that melted away, too. The little girl walked by day and slept by night, wondering whether she would like her real mother. She didn't know if she would want to stay with her real mother or not. But when they got to know each other, they decided against it. The mother was a very smart, beautiful lady with fuzzy black hair combed out round, like electricity. But she had to go build a bridge (and fast, too) because the people couldn't get from one place to the other place without the bridge. So the little girl went to school and had lots of lovers and friends, and practiced archery, and got into a family, and had lots of adventures, and saved everybody from a volcano by bombing it from the air in a glider, and achieved Enlightenment.
"Then one morning somebody told her there was a bear looking for her-"
"Wait a minute," said I. 'This story doesn't have an end. It just goes on and on. What about the volcano? And the adventures? And the achieving Enlightenment-surely that takes some time, doesn't it?"
"I tell things," said my dignified little friend (through Vittoria) "the way they happen," and slipping her head under the induction helmet without further comment (and her hands into the waldoes) she went back to stirring her blanc-mange with her forefinger. She said something casually over her shoulder to Vittoria, who translated: "Anyone who lives in two worlds," (said Vittoria) "is bound to have a complicated life."
(I learned later that she had spent three days making up the story. It was, of course, about me).
XII
Some homes are extruded foam: white caves hung with veils of diamonds, indoor gardens, ceilings that weep. There are places in the Arctic to sit and meditate, invisible walls that shut in the same ice as outside, the same clouds. There is one rain-forest, there is one shallow sea, there is one mountain chain, there is one desert. Human rookeries asleep undersea where Whileawayans create, in their leisurely way, a new economy and a new race. Rafts anchored in the blue eye of a dead volcano. Eyries built for nobody in particular, whose guests arrive by glider. There are many more shelters than homes, many more homes than persons; as the saying goes, My home is in my shoes. Everything (they know) is eternally in transit. Everything is pointed toward death. Radar dish-ears listen for whispers from Outside. There is no pebble, no tile, no excrement, that is not Tao; Whileaway is inhabited by the pervasive spirit of underpopulation, and alone at twilight in the permanently deserted city that is only a jungle of sculptured forms set on the Altiplano, attending to the rush of one's own breath in the respiratory mask, then- I gambled for chores and breakfast with an old, old woman, in the middle of the night by the light of an alcohol lamp, somewhere on the back roads of the swamp and pine flats of South Continent. Watching the shadows dance on her wrinkled face, I understood why other women speak with awe of seeing the withered legs dangling from the shell of a computer housing: Humpty Dumptess on her way to the ultimate Inside of things.
(I lost. I carried her baggage and did her chores for a day.)
An ancient statue outside the fuel-alcohol distillery at Ciudad Sierra: a man seated on a stone, his knees spread, both hands pressed against the pit of his stomach, a look of blind distress, face blurred by time. Some wag has carved on the base the sideways eight that means infinity and added a straight line down from the middle; this is both the Whileaway schematic of the male genital and the mathematical symbol for self-contradiction.
If you are so foolhardy as to ask a Whileawayan child to "be a good girl" and do something for you: "What does running other people's errands have to do with being a good girl?
"Why can't you run your own errands?
"Are you crippled?"
(The double pairs of hard, dark children's eyes everywhere, like mating cats'.)
XIII