Читаем The Good Lord Bird полностью

I had my eye on jumping, and since he was loony, I figured to confound him further and keep his mind off seeing I was a boy, and also give me a better chance to get away. I rummaged through my small gunnysack and pulled out that very same feather his Pa gived me and offered it to him. That floored him.

“Where’d you get that?”

“I ain’t allowed to say. But it’s yours.”

Well, that just knocked him flat. Now, truth is, I didn’t know whether that thing come from a Good Lord Bird or not. His Pa said it did, but I didn’t know whether his Old Man told the truth or not, for he was a kidnapper, plus white folks was full of tricks in them days, and I was a liar myself, and one liar don’t trust another. But it seemed close enough. It was black, had a bit of red and white in it. But it could’a come from an eagle or a plain hummingbird for all I know. Whatever it was, it pleased Fred something terrible and he aimed to return the favor. “Now I’mma show you something special,” he said. “Follow me.”

I followed him back to the horses, whereupon he dumped his seven-shooters, his sword, gun belt, and rifles all on the ground. He pulled out from his saddlebag a blanket, a handful of dried corn, and an oak stick. He said, “We can’t shoot out here, for the enemy might hear. But I’ll show you how to catch pheasant without firing a shot.”

He led me to a hollowed-out tree stump. He laid the corn along the ground in a straight line leading into the stump. He throwed a few pieces inside, then chose a spot not too far from the stump to sit. With his knife, he cut two peepholes in the blanket—one for him and one for me—then throwed it over us. “Every game bird in the world is afraid of man,” he whispered. “But with a blanket over you, you ain’t a man anymore.”

I wanted to say I weren’t feeling like a man no matter how the cut came or went, but I kept my peace. We sat like that under the blanket, staring out, and after a while I growed tired and leaned on him and fell asleep.

I was awakened by Fred stirring. I peeked through my hole and, sure enough, a pheasant had dropped by to help himself to Fred’s corn. He followed that line of dried corn just as you please right into the tree hollow. When he stuck his head inside it, Fred snapped the oak twig he was holding. The pheasant froze at the sound, and quick as I can tell it, Fred throwed the blanket on him, grabbed him, and snapped his neck.

We caught two more pheasants in this manner and headed back to camp. When we arrived, Owen and the Old Man was busy arguing about the Old Man’s map, and sent us to ready our catch for dinner. As we readied the birds at the campfire, I got worried about Fred blabbing about what he seen and said, “Fred, you remembers our deal?”

“’Bout what?”

“’Bout nothing,” I said. “But you probably ought not tell nobody what I gived you,” I murmured.

He nodded. “Your gift’s giving me more understanding even as I speak it, Onion. I am grateful to you and won’t tell a soul.”

I felt bad for him, thin-headed as he was, and him trusting me, not knowing I was a boy and planned to jump. His Pa already gived that feather to me and told me not to tell it. And I gived that feather to his son and told him not to tell. They didn’t know what to believe, is how I figured it. Back in them days white folks told niggers more than they told each other, for they knowed Negroes couldn’t do nothing but say, “Uh-huh,” and “Ummmm,” and go on about their own troubled business. That made white folks subject to trickeration in my mind. Colored was always two steps ahead of white folks in that department, having thunk through every possibility of how to get along without being seen and making sure their lies match up with what white folks wanted. Your basic white man is a fool, is how I thought, and I held Fred in that number.

But I was wrong, for Fred weren’t a complete fool. Nor was his Pa. The bigger fool turned out to be yours truly, for thinking they was fools in the first place. That’s how it goes when you place another man to judgment. You get stretched out wrong to ruination, and that would cost me down the road.

3.

The Old Man’s Army

No sooner had we roasted those pheasants than the rest of the Old Man’s men straggled in. Old John Brown’s fearsome army which I heard so much about weren’t nothing but a ragtag assortment of fifteen of the scrawniest, bummiest, saddest-looking individuals you ever saw. They were young, and to a man skinny as horsehair in a glass of milk. There was a Jew foreigner, an Indian, and a few other assorted no-gooders. They were downright ugly, poor men. They’d been on a raid of some sort, for they clattered into camp on a wagon that clanged like a dry-goods store, with pots, cups, saucers, furniture, card tables, spindles, leather strips, bits of this and that hanging off the sides.

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Павел Павлович Муратов (1881 – 1950) – писатель, историк, хранитель отдела изящных искусств и классических древностей Румянцевского музея, тонкий знаток европейской культуры. Над книгой «Образы Италии» писатель работал много лет, вплоть до 1924 года, когда в Берлине была опубликована окончательная редакция. С тех пор все новые поколения читателей открывают для себя муратовскую Италию: "не театр трагический или сентиментальный, не книга воспоминаний, не источник экзотических ощущений, но родной дом нашей души". Изобразительный ряд в настоящем издании составляют произведения петербургского художника Нади Кузнецовой, работающей на стыке двух техник – фотографии и графики. В нее работах замечательно переданы тот особый свет, «итальянская пыль», которой по сей день напоен воздух страны, которая была для Павла Муратова духовной родиной.

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Биографии и Мемуары / Искусство и Дизайн / История / Историческая проза / Прочее