Читаем The Good Lord Bird полностью

We drove hard out of town, left the beaten California Trail, and headed straight into Kansas flatlands. There was three of them, the Old Man and two young riders. The two riders charged ahead of us on pintos, and the Old Man and me bounced behind them atop a painted horse with one blue eye and one brown eye. That horse belonged to Dutch. So the Old Man was a horse thief as well.

We rode hard for a couple of hours. The cottonwoods showed some distance off, and the hot wind beat against my face as we flew along. Kansas Territory is flat, wide-open hot earth to the sight, but when you making hot speed atop a horse, it’s hard riding. My arse took a pretty strong beating bouncing atop that horse’s back, for I had never ridden one before. It knotted up to about the size of a small bun, and just when I thought I couldn’t bear it no more, we hit the top of a rise and stopped at a crude camp. It was a clearing with a three-sided tent held up by sticks, stretched along a rock wall with the remnants of a campfire. The Old Man stepped off the horse and helped me down.

“Time to water these horses and rest, my child,” he said. “We can’t tarry. The others is coming soon.” He looked at me for a moment, his wrinkled face frowned up. I reckon he felt guilty for kidnapping me and getting my Pa kilt, for he seemed a little funny about the eyes, and stared at me a long time. Finally he begun ransacking his flea-bitten coat pocket. He rummaged through it and pulled out what appeared to be a ball covered with feathers. He dusted it off and said, “I reckon you is not feeling righteous about what has just transpired thereabouts, but in the name of freedom we is all soldiers of the cross and thus the enemy of slavery. Like as not, you now believes you has no family or may ne’er see what family you has ever again. But the fact is, you is in the human family and is welcome to this one as any. I like that you might hold this, my child, as a token of your newfound freedom and family, joining us as freedom fighters, even though you is a girl and we need to get rid of you as soon as possible.”

He held the thing out to me. I didn’t want whatever it was, but, being that he was white and hurrumped and hawed over the dang thing so much, I reckon I had to take it. It was an onion. Dried, dusty, covered with feathers, cobwebs, lint, and other junk from his pocket. That thing looked worse than dried mule shit. The Old Man had a high tolerance for junk, and in later years, I was to see him produce from his pockets enough odds and ends to fill a five-gallon barrel, but, being that this had been a scouting expedition to Dutch’s, he’d been traveling light.

I took the thing and held it, frightened and afraid, so, not knowing what he wanted, I reckoned he wanted me to eat it. I didn’t want to, of course. But I was hungry from the long ride and I was also his prisoner, after all, so I bit into it. That thing tasted foul as the devil. It went down my gullet like a stone, but I got the job done in seconds.

The Old Man’s eyes widened, and for the first time I seen a look of sheer panic run across his old face, which I took for displeasure, though in later years I learned a look from him could mean just about anything you could render it to.

“That there’s my good-luck charm you just swallowed,” he grunted. “I had that thing for fourteen months and nar a knife has nicked me nar bullet touched my flesh. I reckon the Lord must mean it to be a sign for me to lose it. The Bible says it: ‘Hold no idle objects between thouest and me.’ But even a God-fearing man like myself has a pocketful of sins that flagellate betwixt my head—and my thighs too, truth be to tell it, for I has twenty-two children, twelve of them living, Little Onion. But my good luck lives between your ears now; you has swallowed in your gut my redemption and sin, eatin’ my sin just like Jesus Christ munched on the sins of the world so that you and I might live. Let that be a lesson to me, old man that I am, for allowing sacrilegious objects to stand between me and the great King of Kings.”

I didn’t make head nor tails of what he was saying, for I was to learn that Old John Brown could work the Lord into just about any aspect of his comings and goings in life, including using the privy. That’s one reason I weren’t a believer, having been raised by my Pa, who was a believer and a lunatic, and them things seemed to run together. But it weren’t my place to argue with a white man, especially one who was my kidnapper, so I kept my lips closed.

“Since you has shown me the way of the Maker and is now my good-luck charm, Little Onion, I will give you good fortune as well, and hereby absolve myself of all these trickerations and good-luck baubles which is the devil’s work.” And here he dug in his pockets and produced a thimble, a root, two empty tin cans, three Indian arrowheads, an apple peeler, a dried-up boll weevil, and a bent pocketknife. He throwed them all in a sack and gived it to me.

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Павел Павлович Муратов (1881 – 1950) – писатель, историк, хранитель отдела изящных искусств и классических древностей Румянцевского музея, тонкий знаток европейской культуры. Над книгой «Образы Италии» писатель работал много лет, вплоть до 1924 года, когда в Берлине была опубликована окончательная редакция. С тех пор все новые поколения читателей открывают для себя муратовскую Италию: "не театр трагический или сентиментальный, не книга воспоминаний, не источник экзотических ощущений, но родной дом нашей души". Изобразительный ряд в настоящем издании составляют произведения петербургского художника Нади Кузнецовой, работающей на стыке двух техник – фотографии и графики. В нее работах замечательно переданы тот особый свет, «итальянская пыль», которой по сей день напоен воздух страны, которая была для Павла Муратова духовной родиной.

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Биографии и Мемуары / Искусство и Дизайн / История / Историческая проза / Прочее