The History of the Siege of Lisbon

When Raimundo Silva wore a wristwatch for the first time many years ago, he was a mere adolescent, and fortune pandered to his immense vanity as he strolled about Lisbon and proudly sported his latest novelty, by crossing his path with that of four different people who were anxious to know the time, Have you the time, they asked, and generous fellow as he was, he did indeed know the time and lost no time in telling them so. The movement of stretching out his arm in order to draw back his sleeve and display the watch's shining face gave him a feeling of importance at that moment that he would never experience again. And least of all now as he makes his way to the publishing house, trying to pass unnoticed in the street or amongst the passengers on the bus, withholding the slightest gesture that might attract the attention of anyone who, also wanting to know the time, might stand there staring in amusement at that unmistakable white line of the parting on the top of his head while waiting for him to overcome his nerves and disentangle his watch from the three sleeves that are covering it today, that of his shirt, his jacket and his coat, It's half past ten, Raimundo Silva finally replies, furious and embarrassed. A hat would come in handy, but that is something the proof-reader has never worn, and if he did, it would only resolve a fraction of his problems, he certainly has no intention of walking into the publishers wearing a hat, Hello there, how is everyone, the hat still stuck on his head as he marches into Dr Maria Sara's office, I've brought you the novel, obviously, it would be best to act as if the colours in his hair were all quite natural, white, black, dyed, people look once, do not look a second time, and by the time they look a third time, they notice nothing. But it is one thing to acknowledge this mentally, to invoke the relativity that conciliates all differences, to ask oneself, with stoic detachment, what a white hair on earth means in the eyes of Venus, another dreadful moment is when he has to confront the telephonist, to withstand her indiscreet glance, to imagine the giggles and whisperings that will while away idle moments in the next few days, Senhor Silva has stopped dyeing his hair, he looks so comical, before they used to mock him because he dyed it, but then there are people who always find something to amuse themselves at the expense of others. And suddenly all these foolish worries disappeared because the telephonist Sara was saying to him, Dr Maria Sara isn't here, she is ill and hasn't come to work for the last two days, these simple words left Raimundo Silva divided between two conflicting sentiments, relief that she should not see his white hair reappearing, and deep distress, not caused by her illness, of the seriousness of which he was still unaware, it could be a flu without complications, or a sudden indisposition, the sort of complaint that affects women, for example, but because he suddenly felt lost, a man risks so much, subjects himself to vexations, just to be able to hand over in person the original manuscript of a novel, and there is no hand there, perhaps it is resting on a pillow beside a pale face, where, until when. Raimundo Silva realises in a second that he has lingered so long in handing over the work in order to savour, with unconscious voluptuousness, the anticipation of a moment that was now eluding him, Dr Maria Sara isn't here, the telephonist had informed him, and he made as if to leave, but then remembered that he ought to entrust the original manuscript to someone, to Costa presumably, Is Senhor Costa here, he asked, suddenly realising that he was deliberately standing in profile to avoid being observed by the telephonist, and, irritated by this show of weakness, he turned around in order to confront all the curiosities of this world, but young Sara did not as much as look at him, she was too busy inserting and pulling out plugs on the old-fashioned switchboard, and all he got was an affirmative gesture as she nodded vaguely towards the inner corridor, all this meaning that Costa was in his office, and that as far as Costa was concerned, there was no need to announce this visitor, something Raimundo Silva did not need to be told because before the arrival of Dr Maria Sara all he had to do was to walk straight in and look for Costa who, as Production Manager, could be found in any of the other offices, pleading, remonstrating, complaining, or simply apologising to the administration, as he always had to do, no matter whether he was responsible or not for any slip-ups in the schedule.