The History of the Siege of Lisbon

We know that there is not much more than this, the bathroom, which until a few weeks ago was also a cosmetics laboratory, the kitchen where he toasted bread and ate the same old frugal meals, the study where we are right now, the sitting-room, inhospitable and abandoned, this door that leads into the bedroom. With his hand on the door-handle, Raimundo Silva appears to hesitate in opening it, he holds back respectfully as if observing some superstition, decidedly a man of another age, who is fearful of offending a woman's modesty by confronting her with the libidinous vision of a bed, even if she herself had asked, Show me your apartment, which allows us to assume that she knew very well what to expect. The door is finally opened, it's the bedroom with its heavy mahogany furniture, in front, standing lengthwise, the bed, the thick, white bedspread, under the pillow, the immaculate folds of the sheet, light filtering in through the window and softening the outline of things, as well as a silence that seems to breathe. We are in April, the evenings are drawn out, the days slow in passing, this probably explains why Raimundo Silva does not switch on the light, not to mention his reluctance to spoil the onset of twilight, which in its turn, makes him feel uneasy lest Maria Sara should misunderstand his intentions, we know all too well, from experience or hearsay, how often one can be dazzled along the path of obscurity, in the depths of darkness. Maria Sara immediately spotted the two roses in a vase on the tiny table by the window, and the sheets of paper, one half-written in the middle, to the left a little pile of sheets, now Raimundo had to switch on the lamp to create an atmosphere, but decided not to, he was standing right at the foot of the bed, as if he were trying to hide it from view, and waited for words, trembling as he tried to imagine what words might be spoken, he was not thinking of gestures or actions, only of words, here, in this room.