Seated at the little table where he has written The History of the Siege of Lisbon, looking at the last page as he awaits that providential word that by means of attraction or repulsion will reactivate the interrupted flow, Raimundo Silva was no doubt saying to himself, like Maria Sara on the Escadinhas de'São Crispim last night, Let's go, write, push ahead, develop, abbreviate, annotate, perfect, but without any of the gentle modulation of that other Let's go, which, incapable of remaining suspended in space, went on reverberating inside them like an echo slowly becoming louder until transformed into glorious song when the bedclothes were drawn back once more to receive them. The memory of that splendid night distracts Raimundo Silva, the surprise of awakening in the morning and seeing and feeling a naked body beside him, the ineffable pleasure of touching it, here, there, softly, as it were one great rose, saying to himself, Slowly, don't awaken her, let me come to know you, rose, body, flower, then those eager hands, that prolonged, insistent caress, until Maria Sara opens her eyes and smiles, when they said together, My love, and embraced. Raimundo Silva searches for the word, on any other occasion these same words would have served, My love, but it is doubtful whether Mogueime and Ouroana would have used them, not to mention that at this stage, they still had not met, let alone declared such sudden feelings whose expression seems beyond their understanding.