Raimundo Silva did not have long to wait, three or four minutes at most. He had remained standing, looking around him, with the strange impression of entering this office for the first time, it is not surprising, he had no memory of being in this office before, most likely it had been used by the administration before the recent alterations, nor, as he now noticed to his amazement, had he retained those images when summoned by Dr Maria Sara, he could no longer remember, for example, if that vase with a white rose had been standing on the desk or that work-schedule on the wall where he could read his own name on the top line and below it the names of all the other proof-readers who worked for the publishing house, their names marked alongside the abbreviated tides of books, dates, coloured symbols, a simple geometrical square, a map, as it were, of the city of proof-readers, some six in all. We can picture them, each in his own home, in Castelo, in Avenidas Novas, perhaps in Almada or Amadora, or Campo de Ourique, or Graça, poring over the proofs of some book, reading and correcting, and Dr Maria Sara thinking about them, changing a date, substituting a green symbol for a blue one, very soon now the names themselves will no longer matter, be no more than a little diagram that will provoke ideas, associations, reflections, but for the moment each of these names represents an item of information that has to be assimilated, first Raimundo Silva, then Carlos Fonseca, Albertina Santos, Mario Rodrigues, Rita Pais, Rodolfo Xavier, this being an office one might expect them to be arranged in alphabetical order, but not at all, no Sir, Raimundo Silva appears on the top line, and perhaps there is a simple explanation, namely, that when the work-schedule was drawn up, he was Dr Maria Sara's main concern.
Whereupon, she walks in, and says, Sorry to have kept you waiting, the sound of the door and her voice startled Raimundo Silva, caught unawares, and he turned round hastily, It doesn't matter, I only came to, he does not finish the sentence, it is as if he were also seeing this face for the first time, how often had he thought about Dr Maria Sara in recent days, and in the end, he had no image of her in his mind, her name alone had occupied all the available space in his memory, progressively displacing her hair, eyes, features, the gestures she made with her hands, all he could remotely recognise was the softness of that silk, not because he had ever touched it, as we know, nor was he having recourse to former sensations in order to imagine morbidly what touching it might be like, impossible as it may seem, Raimundo Silva knows everything about this silk, its sheen, the soft texture of the material, the floating pleats, like sand dancing, although its present colour is not as before, it, too, immersed in the mists of memory, at the risk of being disrespectful by citing the national anthem. I've brought you the proofs, as we agreed, said Raimundo Silva, and Dr Maria Sara took them from him, in passing as it were, now she is seated at her desk, having invited the proof-reader to be seated, but he replied, No, I won't bother, and averted his gaze to the white rose, so close to her that it can see into her most tender heart, and, since one word leads to another, he is reminded of a verse he had once revised, a line that spoke of the intimate murmur that makes roses bloom, he had been struck by the beauty of those words, one of those felicitous expressions to be found even in mediocre poets, Thè intimate murmur that makes roses bloom, he repeated to himself, and he could hear, incredible as it may seem, the ineffable caress of petals, or was it a sleeve rubbing against the curve of her breast, dear God, take pity on men who spend their lives imagining things.