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About women he brags constantly, in a very suave way that she doesn't, after a while, find suave at all. She cannot stand the fact that he thinks she's impressed by all his conquests, but she puts up with it, only slightly bored, because otherwise she's glad to be having dinner with an intelligent, assertive, well-read man of the world.

When at dinner he takes her hand, she says something to let him know, however subtly, that if he thinks he is going to sleep with her, he is crazy. Sometimes in the parking lot, he pulls her to him by cupping her behind and holding her against him. He says, "I cannot be with you time after time like this without some passion. I can't take out a woman as beautiful as you, talk to her and talk to her and talk to her, and have it end there." "We have a saying in France," she tells him, "which is ..." "Which is what?" he asks, thinking he may pick up a new bon mot in the bargain. Smiling, she says, "I don't know. It'll come to me later," and in this way gently disentangles herself from his surprisingly strong arms. She is gentle with him because it works, and she is gentle with him because she knows he thinks it is a question of age, when in fact it is a question, as she explains to him driving back in his car, of nothing so banal: it is a question of "a frame of mind." "It's about who I am," she tells him, and, if nothing else has done it, that sends him away for two or three months, until he next turns up in the cafeteria, looking to see if she is there. Sometimes he telephones her late at night or in the early hours of the morning. From his Back Bay bed, he wants to talk with her about sex. She says she prefers to talk about Marx, and it takes no more, with this conservative economist, to put a stop to that stuff. And yet the women who don't like her are all sure that because he's powerful she has slept with him. It is incomprehensible to them that, bleak and lonely as her life is, she has no interest in becoming Arthur Sussman's little badge of a mistress. It has also gotten back to her that one of them has called her "so passe, such a parody of Simone de Beauvoir." By which she means that it is her judgment that Beauvoir sold out to Sartre—a very intelligent woman but in the end his slave. For these women, who observe her at lunch with Arthur Sussman and get it all wrong, everything is an issue, everything is an ideological stance, everything is a betrayal-everything's a selling out. Beauvoir sold out, Delphine sold out, et cetera, et cetera. Something about Delphine makes them go green in the face.

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