(Two blocks north in space and over forty years back in time, Simon's mother heard pistol shots as she left Wobbly Hall-Simon was a second-generation anarchist-and followed the crowd to gather in front of the Biograph Theatre where a man lay bleeding to death in the alley. And the next morning-July 23, 1934-Billie Freschette, in her cell at Cook County Jail, got the news from a matron. In this White Man's Country, I am the lowliest of the lowly, subjugated because I am not white, and subjugated again because I am not male. I am the embodiment of all that is rejected and scorned-the female, the colored, the tribe, the earth-all that has no place in this world of white male technology. I am the tree that is cut down to make room for the factory that poisons the air. I am the river filled with sewage. I am the Body that the Mind despises. I am the lowliest of the lowly, the mud beneath your feet. And yet of all the world John Dillinger picked me to be his bride. He plunged within me, into the very depths of me. I was his bride, not as your Wise Men and Churches and Governments know marriage, but we were truly wed. As the tree is wed to the earth, the mountain to the sky, the sun to the moon. I held his head to my breast, and tousled his hair as if it were sweet as fresh grass, and I called him "Johnnie." He was more than a man. He was mad but not mad, not as a man may go mad when he leaves his tribe and lives among hostile strangers and is mistreated and scorned. He was not mad as all other white men are mad because they have never known a tribe. He was mad as a god might be mad. And now they tell me he is dead. 'Well," the matron asked finally, "aren't you going to say anything? Aren't you Indians human?" She had a real evil shine in her eye, like the eye of the rattlesnake. She wants to see me cry. She stands there and waits, watching me through the bars. "Don't you have any feelings at all? Are you some kind of animal?" I say nothing. I keep my face immobile. No white shall ever see the tears of a Menominee. At the Biograph Theatre, Molly Moon turns away in disgust as souvenir hunters dip their handkerchiefs in the blood. I turn away from the matron and look up, out the barred window, to the stars, and the spaces between them seem bigger than ever. Bigger and emptier. Inside me there is a space like that now, big and empty, and it will never be filled again. When the tree is torn out by its roots, the earth must feel that way. The earth must scream silently, as I screamed silently.) But she understood the sacramental meaning of the handkerchiefs dipped in blood; as Simon understands it.
Simon, in fact, had what can only be called a funky education. I mean, man, when your parents are both anarchists the Chicago public school system is going to do your head absolutely no good at all. Feature me in a 1956 classroom with Eisenhower's Moby Dick face on one wall and Nixon's Captain Ahab glare on the other, and in between, standing in front of the inevitable American rag, Miss Doris Day or her older sister telling the class to take home a leaflet explaining to their parents why it's important for them to vote.
"My parents don't vote," I say.
"Well, this leaflet will explain to them why they should," she tells me with the real authentic Doris Day sunshine and Kansas cornball smile. It's early in the term and she hasn't heard about me from the last-semester teacher.
"I really don't think so," I say politely. "They don't think it makes any difference whether Eisenhower or Stevenson is in the White House. They say the orders will still come from Wall Street."