Hagbard lit one of his foul Sicilian cigars. "You think I just laid my trip on your head," he said. "It's more than that, much more. Eris is an eternal possibility of human nature. She exists quite apart from your mind or mine. And she is the one possibility that the Illuminati cannot cope with. What we started here last night- with Pavlovian conditioning that's considered totalitarian and ancient magic that's believed to be mere superstition- will change the course of history and make real liberty and real rationality possible at last. Maybe this dream of mine
"Holy Mother," George said hollowly. It seemed the only appropriate comment.
"The only other detail," she went on calmly, "was arranging a convincing suicide. That took a while. But it was done, and my old identity officially ceased to exist." She changed to her original form.
"Oh, no," George said, reeling. "It can't be. I used to jack off over pictures of you when I was a little boy."
"Are you disappointed that I'm so much older than you thought?" Her eyes crinkled in amusement. He looked into those suddenly thirty-thousand-year-old eyes of one manifestation of Lilith Velkor and all the arguments of Sade and Masoch appeared clownish and he looked through those eyes and saw himself and Joe and Saul and even Hagbard as mere men and all their attitudes as merely manly, and he saw the eternal womanly rebuttal, and he saw beyond and above that the eternal divine amusement, he looked into those eyes of amusement, those ancient glittering eyes so gay, and he said, sincerely, "Hell, I can never be disappointed about anything, ever again." (George Dorn entered Nirvana, parenthetically.)
All categories collapsed, including the all-important distinction, which Masoch and Sade had never argued, between science fiction and serious literature. No because Daddy and Mommy were always just that Daddy and Mommy and never once did they become for a change Mommy and Daddy do you dig that important difference? do you dig difference? do you dig the lonely voice when you're lost out here shouting "me" "me"
"The only other time that happened," he added thoughtfully, "the only other time I had the feminine viewpoint, I blocked it out of my memory. That was my repression. That was the Primal Scene in this whole puzzle. That was when I really lost identity with the Ringmaster."
"Raise you five," said Waterhouse, throwing down another five-ton note. "I killed seven members of my own race, and I remember the names of every one of them: Mark Sanders, Fred Robinson, Donald MacArthur, Ponell Scott, Anthony Rogers, Mary Keating, and David J. Monroe. And then I killed Milo A. Flanagan."
"Well, I don't know," said Harry Coin. "Maybe I killed a lot of famous people. But I also got reason to think I may of not killed anybody. And I don't know which is worse."
"I wish somebody would tell me I hadn't killed anybody," said Waterhouse. "Are you guys going to meet me or what?"
"I wanted to kill Wolfgang Saure, and I did kill Wolfgang Saure," said John-John Dillinger. "If that brings evil upon me, so be it." He threw down a five.
"It may bring suffering rather than evil," said Waterhouse. "I have just one consolation. The first seven I killed because the Chicago cops made me. The last I killed under orders from the Legion."
Harry Coin looked at him open-mouthed. "I was gonna fold, but I just changed my mind. You ain't so smart." He threw down a ten-ton note. "I'll raise you five and see you. Do you really believe that?"
"Of course I do. What are you talking about?" Otto threw down another five.
Dropping his own five-ton note on the table, Dillinger shook his head. "Golly. They left you out in the cold
"Four sevens," said Otto angrily, spreading his cards out.
"Shit!" said Harry Coin. "All I got's a pair of fours and a pair of nines."
"Shame to waste a hand like this beating crap like that," said John-John Dillinger grandly. He spread out his cards - the eight, nine, ten, princess, and queen of swords- and scooped up the pot.