Читаем The Lazy Tour of Two Idle Apprentices полностью

The march in the dark, literally as well as metaphorically in the dark, had now been continued for three-quarters of an hour from the time when the crippled Apprentice had met with his accident.  Mr. Idle, with all the will to conquer the pain in his ankle, and to hobble on, found the power rapidly failing him, and felt that another ten minutes at most would find him at the end of his last physical resources.  He had just made up his mind on this point, and was about to communicate the dismal result of his reflections to his companions, when the mist suddenly brightened, and begun to lift straight ahead.  In another minute, the landlord, who was in advance, proclaimed that he saw a tree.  Before long, other trees appeared—then a cottage—then a house beyond the cottage, and a familiar line of road rising behind it.  Last of all, Carrock itself loomed darkly into view, far away to the right hand.  The party had not only got down the mountain without knowing how, but had wandered away from it in the mist, without knowing why—away, far down on the very moor by which they had approached the base of Carrock that morning.

The happy lifting of the mist, and the still happier discovery that the travellers had groped their way, though by a very roundabout direction, to within a mile or so of the part of the valley in which the farm-house was situated, restored Mr. Idle’s sinking spirits and reanimated his failing strength.  While the landlord ran off to get the dog-cart, Thomas was assisted by Goodchild to the cottage which had been the first building seen when the darkness brightened, and was propped up against the garden wall, like an artist’s lay figure waiting to be forwarded, until the dog-cart should arrive from the farm-house below.  In due time—and a very long time it seemed to Mr. Idle—the rattle of wheels was heard, and the crippled Apprentice was lifted into the seat.  As the dog-cart was driven back to the inn, the landlord related an anecdote which he had just heard at the farm-house, of an unhappy man who had been lost, like his two guests and himself, on Carrock; who had passed the night there alone; who had been found the next morning, ‘scared and starved;’ and who never went out afterwards, except on his way to the grave.  Mr. Idle heard this sad story, and derived at least one useful impression from it.  Bad as the pain in his ankle was, he contrived to bear it patiently, for he felt grateful that a worse accident had not befallen him in the wilds of Carrock.

CHAPTER II

The dog-cart, with Mr. Thomas Idle and his ankle on the hanging seat behind, Mr. Francis Goodchild and the Innkeeper in front, and the rain in spouts and splashes everywhere, made the best of its way back to the little inn; the broken moor country looking like miles upon miles of Pre-Adamite sop, or the ruins of some enormous jorum of antediluvian toast-and-water.  The trees dripped; the eaves of the scattered cottages dripped; the barren stone walls dividing the land, dripped; the yelping dogs dripped; carts and waggons under ill-roofed penthouses, dripped; melancholy cocks and hens perching on their shafts, or seeking shelter underneath them, dripped; Mr. Goodchild dripped; Thomas Idle dripped; the Inn-keeper dripped; the mare dripped; the vast curtains of mist and cloud passed before the shadowy forms of the hills, streamed water as they were drawn across the landscape.  Down such steep pitches that the mare seemed to be trotting on her head, and up such steep pitches that she seemed to have a supplementary leg in her tail, the dog-cart jolted and tilted back to the village.  It was too wet for the women to look out, it was too wet even for the children to look out; all the doors and windows were closed, and the only sign of life or motion was in the rain-punctured puddles.

Whiskey and oil to Thomas Idle’s ankle, and whiskey without oil to Francis Goodchild’s stomach, produced an agreeable change in the systems of both; soothing Mr. Idle’s pain, which was sharp before, and sweetening Mr. Goodchild’s temper, which was sweet before.  Portmanteaus being then opened and clothes changed, Mr. Goodchild, through having no change of outer garments but broadcloth and velvet, suddenly became a magnificent portent in the Innkeeper’s house, a shining frontispiece to the fashions for the month, and a frightful anomaly in the Cumberland village.

Перейти на страницу:

Похожие книги

Отверженные
Отверженные

Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука
1984. Скотный двор
1984. Скотный двор

Роман «1984» об опасности тоталитаризма стал одной из самых известных антиутопий XX века, которая стоит в одном ряду с «Мы» Замятина, «О дивный новый мир» Хаксли и «451° по Фаренгейту» Брэдбери.Что будет, если в правящих кругах распространятся идеи фашизма и диктатуры? Каким станет общественный уклад, если власть потребует неуклонного подчинения? К какой катастрофе приведет подобный режим?Повесть-притча «Скотный двор» полна острого сарказма и политической сатиры. Обитатели фермы олицетворяют самые ужасные людские пороки, а сама ферма становится символом тоталитарного общества. Как будут существовать в таком обществе его обитатели – животные, которых поведут на бойню?

Джордж Оруэлл

Классический детектив / Классическая проза / Прочее / Социально-психологическая фантастика / Классическая литература