In the nineteenth century, Swansby House in London employed over a hundred lexicographers, all beavering away in the vast premises. Each worker, famously, was gifted a regulation Swansby House leather attaché case, a regulation Swansby House dip ink pen and Swansby House headed notepaper. God knows who bankrolled this operation, but they certainly appreciated uniform brand identity. The prevailing myth is that these lexicographers were corralled fresh from university, recruited for well-funded positions to bring about
I had been on this internship for three years. On my first day, I was given a rundown of the company’s history on my tour of the building. I was shown the portraits of its initial subeditors and funders who had vied to keep the business going both before and after the wars. It all began with Prof. Gerolf Swansby, a wealthy man who seemed to attract unctuous funding for his lexicographical enterprise. By the late nineteenth century, he had accumulated enough for building works to commence at an address overlooking St James’s Park. The property was built for purpose, and for its time was state-of-the-art, designed by architect Basil Slade and fitted with features such as a telephone, electric lift and synchronome master clock which used electrical impulses to ensure that all clocks in the building kept uniform time. Prof. Gerolf Swansby named the building after himself. The ‘state-of-the-art’ lift was designed in order to go down to the basements of the building which housed huge metal steam presses, bought and installed from the outset by David Swansby’s be-whiskered great-grandfather to sit in readiness for the dictionary to be completed
Before a single edition of the
The unfinished dictionary, its grand hopes for a newly ordered world truncated, potential never fully realised, was considered an appropriate memorial to a generation cut short.
I get that. It makes me feel deeply uncomfortable, for various reasons, but I get it. The dictionary exists in an incomplete published form as a sad, hollow, joyless joke.
The original presses were melted down to make munitions for the World War. On my tour of the premises, I just nodded at this detail. My mind was solely on the fact that I would finally be making a living wage.
David and I worked in shabby offices on the second floor of Swansby House. Given its prime location close to St James’s Park and Whitehall and its wonderful period details and space, the lower floors and large hall of the building were leased out as venues for launches and conferences and weddings. It was all kept pretty plush and impressive for visitors, and David employed various freelance events managers to add marquees and banners and floristry according to various clients’ various tastes. The uppermost storey was not open for events – while downstairs was kept spick and span, its brass fittings polished daily and dust kept at bay, the abandoned higher floors above our offices were untouched and unused. I imagined there must be enough dustsheets up there to keep a village of ghosts in silhouettes, with cobwebs hanging from the rafters as thick as candyfloss. Occasionally I heard the scuttle of rats or squirrels or unthinkable somethings running above my office ceiling. Sometimes this caused plaster to drift down onto my desk. I did not mention it to David. He never mentioned it to me.