Otis Pilkington, indeed, found it impossible, and, ceasing to try, left early. Just twenty minutes after the proceedings had begun, he seized his coat and hat, shot out into the night, made off blindly up Broadway, and walked twice round Central Park before his feet gave out and he allowed himself to be taken back to his apartment in a taxi. He tried to tell himself that this was only what he had expected, but was able to draw no consolation from the fact. He tried to tell himself that Jill might change her mind, but hope refused to stir. Jill had been very kind and very sweet and very regretful, but it was only too manifest that on the question of becoming Mrs Otis Pilkington her mind was made up. She was willing to like him, to be a sister to him, to watch his future progress with considerable interest, but she would not marry him.
One feels sorry for Otis Pilkington in his hour of travail. This was the fifth or sixth time that this sort of thing had happened to him, and he was getting tired of it. If he could have looked into the future—five years almost to a day from that evening—and seen himself walking blushfully down the aisle of St. Thomas' with Roland Trevis' sister Angela on his arm, his gloom might have been lightened. More probably, however, it would have been increased. At the moment, Roland Trevis' sister Angela was fifteen, frivolous, and freckled and, except that he rather disliked her and suspected her—correctly—of laughing at him, amounted to just
However, Mr Pilkington was unable to look into the future, so his reflections on this night of sorrow were not diverted from Jill. He thought sadly of Jill till two-thirty, when he fell asleep in his chair and dreamed of her. At seven o'clock his Japanese valet, who had been given the night off, returned home, found him, and gave him breakfast. After which, Mr Pilkington went to bed, played three games of solitaire, and slept till dinner-time, when he awoke to take up the burden of life again. He still brooded on the tragedy which had shattered him. Indeed, it was only two weeks later, when at a dance he was introduced to a red-haired girl from Detroit, that he really got over it.
The news was conveyed to Freddie Rooke by Uncle Chris. Uncle Chris, with something of the emotions of a condemned man on the scaffold waiting for a reprieve, had watched Jill and Mr Pilkington go off together into the dim solitude at the back of the orchestra chairs, and, after an all too brief interval, had observed the latter whizzing back, his every little movement having a meaning of its own—and that meaning one which convinced Uncle Chris that Freddie, in estimating Mr Pilkington as a sixty to one chance, had not erred in his judgment of form.
Uncle Chris found Freddie in one of the upper boxes, talking to Nelly Bryant. Dancing was going on down on the stage, but Freddie, though normally a young man who shook a skilful shoe, was in no mood for dancing tonight. The return to the scenes of his former triumphs and the meeting with the companions of happier days, severed from him by a two-weeks' notice, had affected Freddie powerfully. Eyeing the happy throng below, he experienced the emotions of that Peri who, in the poem, "at the gate of Eden stood disconsolate."
Excusing himself from Nelly and following Uncle Chris into the passage-way outside the box, he heard the other's news listlessly. It came as no shock to Freddie. He had never thought Mr Pilkington anything to write home about, and had never supposed that Jill would accept him. He said as much. Sorry for the chap in a way, and all that, but had never imagined for an instant that he would click.
"Where is Underhill?" asked Uncle Chris, agitated.
"Derek? Oh, he isn't here yet."
"But why isn't he here? I understood that you were bringing him with you."
"That was the scheme, but it seems he had promised some people he met on the boat to go to a theatre and have a bit of supper with them afterwards. I only heard about it when I got back this morning."
"Good God, boy! Didn't you tell him that Jill would be here tonight?"
"Oh, rather. And he's coming on directly he can get away from these people. Forget their name, but they're influential coves who can do him a bit of good and all that sort of thing. The man—the head of the gang, you know—is something connected with the Cabinet or the Prime Minister or something. You'd know his name in a minute if I told you—always seeing it in the papers—they have pictures of him in
Uncle Chris plucked at his mustache gloomily. Freddie's detachment depressed him. He had looked for more animation and a greater sense of the importance of the issue.