The Little Warrior

"For heaven's sake!" Nelly had the musical comedy performer's horror of the older-established form of entertainment. "Why, comic opera died in the year one!"

"Well, these guys are going to dig it up. That's the way it looks to me." He lowered his voice. "Say, I saw Clarice last night," he said in a confidential undertone. "It's all right."

"It is?"

"We've made it up. It was like this …"

His conversation took an intimate turn. He expounded for Nelly's benefit the inner history, with all its ramifications, of a recent unfortunate rift between himself and "the best little girl in Flatbush,"—what he had said, what she had said, what her sister had said, and how it all come right in the end. Jill might have felt a little excluded, but for the fact that a sudden and exciting idea had come to her. She sat back, thinking. … After all, what else was she to do? She must do something. …

She bent forward and interrupted Mr Brown in his description of a brisk passage of arms between himself and the best little girl's sister, who seemed to be an unpleasant sort of person in every way.

"Mr Brown."

"Hello?"

"Do you think there would be any chance for me if I asked for work at Goble and Cohn's?"

"You're joking!" cried Nelly.

"I'm not at all."

"But what do you want with work?"

"I've got to find some. And right away, too."

"I don't understand."

Jill hesitated. She disliked discussing her private affairs, but there was obviously no way of avoiding it. Nelly was round-eyed and mystified, and Mr Brown had manifestly no intention whatever of withdrawing tactfully. He wanted to hear all.

"I've lost my money," said Jill.

"Lost your money! Do you mean … ?"

"I've lost it all. Every penny I had in the world."

"Tough!" interpolated Mr Brown judicially. "I broke once way out in a tank-town in Oklahoma. The manager skipped with our salaries. Last we saw of him he was doing the trip to Canada in nothing flat."

"But how?" gasped Nelly.

"It happened about the time we met in London. Do you remember Freddie Rooke, who was at our house that after-noon?"

A dreamy look came into Nelly's eyes. There had not been an hour since their parting when she had not thought of that immaculate sportsman. It would have amazed Freddie, could he have known, but to Nelly Bryant he was the one perfect man in an imperfect world.

"Do I!" she sighed ecstatically.

Mr Brown shot a keen glance at her.

"Aha!" he cried facetiously. "Who is he, Nelly? Who is this blue-eyed boy?"

"If you want to know," said Nelly, defiance in her tone, "he's the fellow who gave me fifty pounds, with no strings tied to it,—get that!—when I was broke in London! If it hadn't been for him, I'd be there still."

"Did he?" cried Jill. "Freddie!"

"Yes. Oh, Gee!" Nelly sighed once more. "I suppose I'll never see him again in this world."

"Introduce me to him, if you do," said Mr Brown. "He sounds just the sort of little pal I'd like to have!"

"You remember hearing Freddie say something about losing money in a slump on the Stock Exchange," proceeded Jill. "Well, that was how I lost mine. It's a long story, and it's not worth talking about, but that's how things stand, and I've got to find work of some sort, and it looks to me as if I should have a better chance of finding it on the stage than anywhere else."

"I'm terribly sorry."

"Oh, it's all right. How much would these people Goble and Cohn give me if I got an engagement?"

"Only forty a week."

"Forty dollars a week! It's wealth! Where are they?"

"Over at the Gotham Theatre in Forty-second Street."

"I'll go there at once."

"But you'll hate it. You don't realize what it's like. You wait hours and hours and nobody sees you."

"Why shouldn't I walk straight in and say that I've come for work?"

Nelly's big eyes grew bigger.

"But you couldn't!"

"Why not?"

"Why, you couldn't!"

"I don't see why."

Mr Brown intervened with decision.

"You're dead right," he said to Jill approvingly. "If you ask me, that's the only sensible thing to do. Where's the sense of hanging around and getting stalled? Managers are human guys, some of 'em. Probably, if you were to try it, they'd appreciate a bit of gall. It would show 'em you'd got pep. You go down there and try walking straight in. They can't eat you. It makes me sick when I see all those poor devils hanging about outside these offices, waiting to get noticed and nobody ever paying any attention to them. You push the office-boy in the face if he tries to stop you, and go in and make 'em take notice. And, whatever you do, don't leave your name and address! That's the old, moth-eaten gag they're sure to try to pull on you. Tell 'em there's nothing doing. Say you're out for a quick decision! Stand 'em on their heads!"

Jill got up, fired by this eloquence. She called for her check.

"Good-bye," she said. "I'm going to do exactly as you say. Where can I find you afterwards?" she said to Nelly.

"You aren't really going?"

"I am!"

Nelly scribbled on a piece of paper.

"Here's my address. I'll be in all evening."

"I'll come and see you. Good-bye, Mr Brown. And thank you."