The Living Dead

"We could drive out to the plane and see what happened for ourselves," Ronnie offered. "They can't catch us in the Jeep." She touched his hand, lightly, tentatively. "We might be able to salvage some stuff from the wreck. Someone might have had a rifle, maybe even one with a scope, and that would be a much better weapon than your pistol."

Nathan considered her argument, then jerked his hand away as soon as he realized what lay behind it. "Who was bringing it in for you? C'mon, Ronnie . . . you know what I'm talking about. Who was your mule this trip?"

She tried to look hurt. Did a good job of it. "You think you're quite a detective, don't you? Well, round up the usual suspects. Ronnie's a coke freak waiting on a mule. Buck and Pablo pulled a Houdini, or maybe they had a powwow with Kara and her pals, the world's first intellectual gut-buckets. C'mon, Nate, put it together for me, but do it before those things out there turn nasty and come after us." She grabbed the remnants of the napkin and flung purple confetti at his face. "Wake up, boss. The party's over. Me, you've got figured, but them . . . they're dead, and they're hungry, and that's that."

She let the words hang there for a minute. Then she rose and walked to the stairs, gracefully, like brandy pouring from a bottle. With fluid elegance, he thought wryly. He watched her calves flex, enjoyed the way she swung her ass for him. Eagerly, he ran his thumb over the little plastic breasts on the cartoon-inspired swizzle stick.

"Me, you've got figured." She did the measured over-the-shoulder glance that she'd used three years ago in her Grimesgirl centerfold, then turned and ran long fingers over her naked breasts, along her narrow hips. Nathan's thumb traveled over the cute swizzle-stick ass; he pressed down without realizing it, and the plastic snapped in two.

Ronnie laughed, climbing the stairs, not looking back.

After he'd come, Nathan kicked off the satin sheets and opened the wall safe. He cut three lines on a vanity mirror and presented them to Ronnie, then hurried downstairs because he hated the sound of her snorting. In the kitchen, he popped open a Pepsi and took a box of Banquet fried chicken out of the freezer. He chose two breasts and three thighs, placed them on a sheet of Reynolds Wrap, and fired the oven.

While he waited for the chicken, he turned on the television and fiddled with the satellite controls until he found something besides snow. Immediately, he recognized the Capitol dome in the upper right-hand corner of the screen, just below the CNN logo. It was a favorite camera setup of Washington correspondents, but there was no reporter standing in frame. There wasn't a voiceover, either.

A gut-bucket in a hospital gown staggered into view, then lurched away from the light. Another followed, this one naked, fleshless. Nathan watched, fascinated. It was only a matter of time before one of the zombies knocked over the camera or smashed the lights. Why didn't the network cut away? He couldn't figure it out.

Unless he'd tuned in some kind of study. Unless the camera had been set up to record the zombies. Bolted down. Protected. That kind of thing.

But to send it out on the satellite? It didn't make any sense. Then Nathan remembered that all satellite broadcasts weren't intended for public consumption. He might be picking up a direct feed to CNN instead of a broadcast from CNN. In the past he'd enjoyed searching for just such feeds with his satellite dish—on a location to network feed, you could pick up all the nasty remarks that reporters made about the government gobbledygook they fed to the American public, and you could find out what really went on during the commercial breaks at any number of live events.

Nathan stared at the CNN logo superimposed in the corner of the screen. Was that added at the network, or would a technician in a mobile unit add it from location? He wished he knew enough about the technical end of broadcasting to decide. He switched channels, searching for another broadcast. When he was sure he'd exhausted all possibilities, he tried to return to the CNN transmission.

He couldn't find it.

It wasn't there anymore.

A blank hiss filled the room. Nathan hit the mute button on the remote control. A few minutes passed before he noticed the burning chicken, but he couldn't bring himself to do anything about it, didn't want to look at it. Images coiled like angry snakes in his mind, ready to strike, ready to poison him. The explosion, the fleshless zombie on TV, Kara North's mutilated hand.

The snakes struck, and Nathan lurched to the sink and vomited Pepsi.

First he heard her shouts, and he was up off the couch and almost to the stairs before he remembered that he'd left the gun on the kitchen sink. He pivoted too quickly at the foot of the stairway, lurched against the wall, and then ran to the gun, Ronnie's insistent cries still filling his ears.