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With this they emerged out of a narrow street, and saw the early sunlight filling Leicester Square. It will never be known, I suppose, why this square itself should look so alien and in some ways so continental. It will never be known whether it was the foreign look that attracted the foreigners or the foreigners who gave it the foreign look. But on this particular morning the effect seemed singularly bright and clear. Between the open square and the sunlit leaves and the statue and the Saracenic outlines of the Alhambra, it looked the replica of some French or even Spanish public place. And this effect increased in Syme the sensation, which in many shapes he had had through the whole adventure, the eerie sensation of having strayed into a new world. As a fact, he had bought bad cigars round Leicester Square ever since he was a boy. But as he turned that corner, and saw the trees and the Moorish cupolas, he could have sworn that he was turning into an unknown Place de something or other in some foreign town.

At one corner of the square there projected a kind of angle of a prosperous but quiet hotel, the bulk of which belonged to a street behind. In the wall there was one large French window, probably the window of a large coffee-room; and outside this window, almost literally overhanging the square, was a formidably buttressed balcony, big enough to contain a dining-table. In fact, it did contain a dining-table, or more strictly a breakfast-table; and round the breakfast-table, glowing in the sunlight and evident to the street, were a group of noisy and talkative men, all dressed in the insolence of fashion, with white waistcoats and expensive button-holes. Some of their jokes could almost be heard across the square. Then the grave Secretary gave his unnatural smile, and Syme knew that this boisterous breakfast party was the secret conclave of the European Dynamiters.

Then, as Syme continued to stare at them, he saw something that he had not seen before. He had not seen it literally because it was too large to see. At the nearest end of the balcony, blocking up a great part of the perspective, was the back of a great mountain of a man. When Syme had seen him, his first thought was that the weight of him must break down the balcony of stone. His vastness did not lie only in the fact that he was abnormally tall and quite incredibly fat. This man was planned enormously in his original proportions, like a statue carved deliberately as colossal. His head, crowned with white hair, as seen from behind looked bigger than a head ought to be. The ears that stood out from it looked larger than human ears. He was enlarged terribly to scale; and this sense of size was so staggering, that when Syme saw him all the other figures seemed quite suddenly to dwindle and become dwarfish. They were still sitting there as before with their flowers and frock-coats, but now it looked as if the big man was entertaining five children to tea.

As Syme and the guide approached the side door of the hotel, a waiter came out smiling with every tooth in his head.

“The gentlemen are up there, sare,” he said. “They do talk and they do laugh at what they talk. They do say they will throw bombs at ze king.”

And the waiter hurried away with a napkin over his arm, much pleased with the singular frivolity of the gentlemen upstairs.

The two men mounted the stairs in silence.

Syme had never thought of asking whether the monstrous man who almost filled and broke the balcony was the great President of whom the others stood in awe. He knew it was so, with an unaccountable but instantaneous certainty. Syme, indeed, was one of those men who are open to all the more nameless psychological influences in a degree a little dangerous to mental health. Utterly devoid of fear in physical dangers, he was a great deal too sensitive to the smell of spiritual evil. Twice already that night little unmeaning things had peeped out at him almost pruriently, and given him a sense of drawing nearer and nearer to the head-quarters of hell. And this sense became overpowering as he drew nearer to the great President.

The form it took was a childish and yet hateful fancy. As he walked across the inner room towards the balcony, the large face of Sunday grew larger and larger; and Syme was gripped with a fear that when he was quite close the face would be too big to be possible, and that he would scream aloud. He remembered that as a child he would not look at the mask of Memnon in the British Museum, because it was a face, and so large.

By an effort, braver than that of leaping over a cliff, he went to an empty seat at the breakfast-table and sat down. The men greeted him with good-humoured raillery as if they had always known him. He sobered himself a little by looking at their conventional coats and solid, shining coffee-pot; then he looked again at Sunday. His face was very large, but it was still possible to humanity.

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Карл Филипп Мориц (1756–1793) – один из ключевых авторов немецкого Просвещения, зачинатель психологии как точной науки. «Он словно младший брат мой,» – с любовью писал о нем Гёте, взгляды которого на природу творчества подверглись существенному влиянию со стороны его младшего современника. «Антон Райзер» (закончен в 1790 году) – первый психологический роман в европейской литературе, несомненно, принадлежит к ее золотому фонду. Вымышленный герой повествования по сути – лишь маска автора, с редкой проницательностью описавшего экзистенциальные муки собственного взросления и поиски своего места во враждебном и равнодушном мире.Изданием этой книги восполняется досадный пробел, существовавший в представлении русского читателя о классической немецкой литературе XVIII века.

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