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There was no need to cry out to Syme, who had never taken his eyes off it. He saw the great luminous globe suddenly stagger in the sky, right itself, and then sink slowly behind the trees like a setting sun.

The man called Gogol, who had hardly spoken through all their weary travels, suddenly threw up his hands like a lost spirit.

“He is dead!” he cried. “And now I know he was my friend my friend in the dark!”

“Dead!” snorted the Secretary. “You will not find him dead easily. If he has been tipped out of the car, we shall find him rolling as a colt rolls in a field, kicking his legs for fun.”

“Clashing his hoofs,” said the Professor. “The colts do, and so did Pan.”

“Pan again!” said Dr. Bull irritably. “You seem to think Pan is everything.”

“So he is,” said the Professor, “in Greek. He means everything.”

“Don’t forget,” said the Secretary, looking down, “that he also means Panic.”

Syme had stood without hearing any of the exclamations.

“It fell over there,” he said shortly. “Let us follow it!”

Then he added with an indescribable gesture

“Oh, if he has cheated us all by getting killed! It would be like one of his larks.”

He strode off towards the distant trees with a new energy, his rags and ribbons fluttering in the wind. The others followed him in a more footsore and dubious manner. And almost at the same moment all six men realised that they were not alone in the little field.

Across the square of turf a tall man was advancing towards them, leaning on a strange long staff like a sceptre. He was clad in a fine but old-fashioned suit with knee-breeches; its colour was that shade between blue, violet and grey which can be seen in certain shadows of the woodland. His hair was whitish grey, and at the first glance, taken along with his knee-breeches, looked as if it was powdered. His advance was very quiet; but for the silver frost upon his head, he might have been one to the shadows of the wood.

“Gentlemen,” he said, “my master has a carriage waiting for you in the road just by.”

“Who is your master?” asked Syme, standing quite still.

“I was told you knew his name,” said the man respectfully.

There was a silence, and then the Secretary said

“Where is this carriage?”

“It has been waiting only a few moments,” said the stranger. “My master has only just come home.”

Syme looked left and right upon the patch of green field in which he found himself. The hedges were ordinary hedges, the trees seemed ordinary trees; yet he felt like a man entrapped in fairyland.

He looked the mysterious ambassador up and down, but he could discover nothing except that the man’s coat was the exact colour of the purple shadows, and that the man’s face was the exact colour of the red and brown and golden sky.

“Show us the place,” Syme said briefly, and without a word the man in the violet coat turned his back and walked towards a gap in the hedge, which let in suddenly the light of a white road.

As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel.

“What can it all mean?” asked Bull of Syme as they separated. “Is this another joke of Sunday’s?”

“I don’t know,” said Syme as he sank wearily back in the cushions of his carriage; “but if it is, it’s one of the jokes you talk about. It’s a good-natured one.”

The six adventurers had passed through many adventures, but not one had carried them so utterly off their feet as this last adventure of comfort. They had all become inured to things going roughly; but things suddenly going smoothly swamped them. They could not even feebly imagine what the carriages were; it was enough for them to know that they were carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages.

Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business was taken out of his hands he fell back on the cushions in a frank collapse.

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Карл Филипп Мориц (1756–1793) – один из ключевых авторов немецкого Просвещения, зачинатель психологии как точной науки. «Он словно младший брат мой,» – с любовью писал о нем Гёте, взгляды которого на природу творчества подверглись существенному влиянию со стороны его младшего современника. «Антон Райзер» (закончен в 1790 году) – первый психологический роман в европейской литературе, несомненно, принадлежит к ее золотому фонду. Вымышленный герой повествования по сути – лишь маска автора, с редкой проницательностью описавшего экзистенциальные муки собственного взросления и поиски своего места во враждебном и равнодушном мире.Изданием этой книги восполняется досадный пробел, существовавший в представлении русского читателя о классической немецкой литературе XVIII века.

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