The Mirror and the Light

He turns his head to look at his son. The stiff breeze ruffles Gregory’s hair, and whips the water into ridges. He drops his eyes to the water’s edge, where a scum of stalks and dead leaves heaves against the stonework, solid as a serpent’s back. ‘You cannot know too much. I meant it for your comfort.’

‘I was afraid of you.’

But of course, he thinks, it is usual for a son to fear his father, it is the way the world is made. ‘I tried to be a tender father to you. I never once struck you.’

‘You were too busy to strike me.’

‘Well,’ he says, ‘I suppose I could have delegated it. Come in. The wind is getting up.’

To the left of him, through two tall pointed arches, willow trees and a scudding sky. They duck through a doorway, turn sharp right to climb the stairs into the great hall. From the chapel you can look down into the water, shifting blue to grey and back to blue; it is a mirror to every change in the weather. It was Henry Guildford, God rest him, who put in the upper floors here, the wide windows and great fireplaces – before Anne Boleyn rousted him out of his offices and he went home to fade and die. A few pomegranates are left from the old days – Gregory shows him – and carvings of castles which, he tells his son, represent the turrets of Castile. Six queens have lived here at Leeds, and now it shelters the blacksmith’s great-grandsons: little Henry now toddling in his smocks, the baby Edward swaddled in the cradle. ‘There is a Mass book here,’ Bess says, ‘which they say belonged to Queen Katherine.’ She fetches it from its locked chest. He turns the pages in search of inscriptions.

He rides into Huntingdonshire, to see nephew Richard. After all, he will have no holidays till this time next year. All summer Lord Lisle has been sending over from Calais a procession of evangelicals, men whom he says should be examined in London, as he cannot deal with them. Once they disembark, Gardiner sets about them with relish, bullying them into swearing to every pernicious article he has pushed into the statute book. Stephen may be off the council, but he is still a power. Where does he find his boundless malice? Servants he has planted tell him, ‘What Winchester wants to force out of the Calais men is a connection to you, Lord Cromwell. He tries to goad them into naming you, into claiming your protection. If they have ever been in the same church as you, ever stood through the same sermon, Gardiner looks to make something of it.’

So what to do? It is half his work to protect the friends of the gospel from themselves, to keep them circumspect and keep them out of custody. Fevered brethren will fall foul of Parliament’s new articles. Then it will be, ‘Good Lord Cromwell, deliver us from prison!’ What if he cannot? If he, Cromwell, speaks boldly for the Calais men, it will be worse for him, and no better for them; so he must act, if he can, secretly, dexterously, to mitigate the damage Gardiner and his friends will do.

He is happy to ride away from Westminster, where everybody is watching everyone else. Richard is building his new house at Hinchingbrooke. A little convent has been closed, that has been there time out of mind, its numbers dwindling. Workmen, breaking up an old floor, have come to him, mattocks in their hands, dismayed: ‘Mr Richard, see what we have turned up …’

He goes to see. The workmen kneel and pray while the bones are lifted. At first it is hard to tell how many of God’s creatures are jumbled here. Two sets of bones, as Richard thinks, but they are not two nuns, as you might expect: one of them has a huge jawbone and giant-killer’s shoulders. Already the builders are making up stories about them. They are a runaway lord and lady, absconding for love of each other, whose flight has been arrested by a jealous count, or earl, or petty king. Standing hand in hand, they have been slain by their pursuers. No one can stop them mingling their persons now.

‘The workmen take them to be very ancient,’ Richard says. ‘I suppose we will never know what their names were. But it did not seem right to put them down in the nuns’ graveyard.’

He imagines the bony virgins, shrinking from the presence of a man of heroic size. ‘And so?’

‘So I put them back where I found them,’ Richard says. ‘I can live with them under my floor, they are not likely to get up and walk about at night. I was obliged to allow prayers for their souls, the workmen would have downed tools if I had done other. But I will not let them alter my building plans.’

Already the neighbourhood believes that a drowned nun wails about the place, lamenting her sins and looking for the shameful babe she bore. Drip, drip, she comes at twilight, the sodden train of her habit slapping the stone floors. He says to Richard, perhaps she did not drown herself at all, but left a note and ran off to a new life, like Robert Barnes.