The Neapolitan Novels

So many years had passed, and yet Nino didn’t miss a chance to mention Lila, to show that he was solicitous of her even at a distance. I was there with him, I had loved him, I had beside me his daughter who was licking a chocolate ice-cream cone. But he considered me only a friend of his youth to whom he could show off the extraordinary path he had traveled, from his high school desk to a seat in parliament. In that last encounter of ours his greatest compliment was to put me on the same rung of the ladder. I don’t remember in relation to what subject he said: The two of us climbed very high. But even as he uttered that sentence I read in his gaze that the declaration of equality was a sham. He considered himself much better than me and the proof was that, in spite of my successful books, I stood before him as a petitioner. His eyes smiled at me cordially, suggesting: Look what you lost by losing me.

I left in a hurry with the child. I was sure that he would have had quite a different attitude if Lila had been present. He would have mumbled, he would have felt mysteriously crushed, maybe even a little ridiculous with that preening. When we reached the garage where I had left the car—that time I had come to Rome by car—something occurred to me for the first time: only with Lila had Nino put at risk his own ambitions. On Ischia, and for the following year, he had given in to a romance that could have caused him nothing but trouble. An anomaly, in the journey of his life. At the time he was already a well-known and very promising university student. He had taken up with Nadia—that was clear to me now—because she was the daughter of Professor Galiani, because he had considered her the key to gaining access to what then appeared to us a superior class. His choices had always been consistent with his ambitions. Hadn’t he married Eleonora out of self-interest? And I myself, when I had left Pietro for him, wasn’t I in fact a well-connected woman, a writer of some success, with ties to an important publishing house—useful, in short, to his career? And all the other women who had helped him: didn’t they come under the same logic? Nino loved women, certainly, but he was above all a cultivator of useful relations. What his intelligence produced would never, alone, have had sufficient energy to assert itself, without the web of power that he had been weaving since he was a boy. What about Lila? She had gone to school up to fifth grade, she was the very young wife of a shopkeeper, if Stefano had known of their relationship he could have killed them both. Why had Nino in that case gambled his entire future?