The Prestige

There were two lightbulbs in the ceiling illuminating the way down, but at the bottom, where there was another doorway leading to the side, much brighter light was spilling across the steps. The staircase looked bare and ordinary, surprisingly clean, with no hint of any danger, supernatural or otherwise. I could hear voices rising up from below.

I went down the steps quietly, not wishing to be noticed, but when I reached the bottom and looked into the main cellar I realized there was no need to hide myself. The adults were preoccupied with what they were doing.

I was old enough to understand much of what was happening, but not to be able to recall now what the adults were saying. When I first reached the bottom of the steps my father and Clive Borden were arguing again, this time with Borden doing most of the talking. My mother stood to one side, as did the servant, Stimpson. Nicky was still being held to his father's chest.

The cellar was of a size, extent and cleanliness that came as a complete surprise to me. I had no idea that our part of the house had so much space beneath it. From my childish perspective the cellar seemed to have a high ceiling, stretching away on all sides to the white-painted walls, and that these walls were at the limits of my vision. (Although most adults can move around in the cellar without lowering their heads the ceiling is not nearly as high as in the main rooms upstairs, and of course the extent of the cellar is no greater than the area of the house itself.)

Much of the cellar was filled with stuff brought down from the main house for storage: a lot of the furniture moved out during the war was still there, draped with white dust-sheets. Along the length of one wall was a stack of framed canvases, their painted sides facing in so that they could not be seen. An area close to the steps, partitioned off by a brick wall, was made over as a wine cellar. On the far side of the main cellar, difficult to see from where I was standing, was another large stack of crates and chests, tidily arranged.

The overall impression of the cellar was spacious, cool, clean. It was a place that was in use but it was also kept tidy. However, none of this really impressed itself on me at the time. Everything that I've described so far is modified memory, based on what I know.

On the day, what grabbed my attention from the moment I reached the bottom of the steps was the apparatus built in the centre of the cellar.

My first thought was that it was a kind of shallow cage, because it was a circle of eight sturdy wooden slats. Next I realized that it had been built in a pit in the floor. To enter it one had to step down, so that it was in fact larger than it looked at first. My father, who had stepped into the centre of the circle, was only visible from about his waist up. There was also an arrangement of wiring overhead, and something whose shape I could not clearly make out rotating on a central axis, glittering and flashing in the cellar lights. My father was working hard, there was obviously some kind control arrangement below my line of sight, and he was bending over, pumping his arm at something.

My mother stood back, watching intently with Stimpson at her side. These two were silent.

Clive Borden stood close to one of the wooden bars, watching my father as he worked. His son Nicky was upright in his arms, and had turned around to look down too. Borden was saying something, and my father, while continuing to pump, answered loudly, and with a gesticulating arm. I knew my father was in a dangerous mood, the sort Rosalie and I suffered when we had enraged him to the point where he felt he had to prove something to us, no matter how ridiculous.

I realized Borden was provoking him into this kind of rage, perhaps deliberately. I stepped forward, not to any of the adults, but towards Nicky. This small boy was caught up in something he could not possibly understand, and my instinct was to rush across to him, take hold of his hand and perhaps lead him away from the dangerous adult game.

I had walked half the distance to the group, entirely unnoticed by any of them, when my father shouted, "Stand back, everyone!"

My mother and Stimpson, who presumably knew what was going to happen, immediately moved back a few paces. My mother said something in what was for her a loud voice, but her words were drowned by a rising din from the device. It hummed and fizzed, restlessly, dangerously. Clive Borden had not moved, and stood only a foot or two away from the edge of the pit. Still no one looked at me.