She says nothing, opening the bottle’s seal with a sudden twist.
‘Listen,’ I say. ‘About that offer. I have reconsidered. Whatever it is that you need stolen, I will steal. No matter who you work for. I’ll even do it your way. I owe you that. Call it a debt of honour.’
She pours the wine. The golden liquid is sluggish, so it takes time. When she’s done, I raise my glass. ‘Shall we drink to that?’
Our glasses clink together: toasting in low-g is a skill. We drink.
‘It’s not
I stare at her, breathing in Thaddeus’s breath. And with the smell comes a memory, years and years and years of being someone else, being poured into me
He – I – hid it. Mind steganography. The Proust effect. Somewhere the Archons would not find it, an associative memory unlocked by smell that you would never come across in a prison where you never eat or drink.
‘I am a genius,’ I tell Mieli.
She does not smile, but her eyes narrow, a little. ‘Mars, then,’ she says. ‘The Oubliette.’
I feel a chill. Clearly, I have little privacy in this body, or in my mind. Another panopticon, another prison. But as prisons go, it is a lot better than the last one: a beautiful woman, secrets and a good meal, and a sea of ships carrying us to adventure.
I smile.
‘The place of forgetting,’ I say, and raise my glass. ‘To new beginnings.’
Quietly, she drinks with me. Around us,
3
THE DETECTIVE AND THE CHOCOLATE DRESS
It surprises Isidore that the chocolate factory smells of leather. The conching machines fill the place with noise, echoing from the high red-brick walls. Cream-coloured tubes gurgle. Rollers move back and forth in stainless-steel vats, massaging aromas from the chocolate mass inside with each gloopy, steady heartbeat.
There is a dead man lying on the floor, in a pool of chocolate. A beam of pale Martian morning light from a high window illuminates him, turning him into a chocolate sculpture of suffering: a wiry pietá with hollow temples and a sparse moustache. His eyes are open, whites showing, but the rest of him is covered in a sticky layer of brown and black, spilled from the vat he is clutching, as if he tried to drown himself in it. His white apron and clothes are a Rorschach test of dark stains.
Isidore ’blinks, accessing the Oubliette exomemory. It lets him recognise the man’s face like it belonged to an old friend.
‘Ugly business,’ says a raspy, chorus-like voice, making him jump. It is the Gentleman, of course, standing on the other side of the body, leaning on his cane. The smooth metal ovoid of his face catches the sun in a bright wink, a stark contrast against the black of his long velvet coat and top hat.
‘When you called me,’ Isidore says, ‘I didn’t think it was just another gogol pirate case.’ He tries to sound casual: but it would be rude to completely mask his emotions with gevulot, so he can’t stop a note of enthusiasm escaping. This is only the third time he has met the tzaddik in person. Working with one of the Oubliette’s honoured vigilantes still feels like a boyhood dream come true. Still, he would not have expected the Gentleman to call him to work on mind theft. Copying of leading Oubliette minds by Sobornost agents and third parties is what the tzaddiks have sworn to prevent.
‘My apologies,’ the Gentleman says. ‘I will endeavour to arrange something