In each square stands a giant machine: medieval knights and samurai and legionnaires, with intricately carved armour, yawning helmets and fearsome, spiked weapons. The plates are rusty and weather-beaten, and the empty helmets of some have been turned into flower-pots, with clusters of begonias and pale-hued Martian roses peeking out of them. Some of them are to be frozen in mid-combat – except that, as I catch my breath, they appear to be slowly moving. Something tells me that if I stayed and watched, they would play out a slow game set in motion by players long dead.
The laughter again. I turn around. The boy dangles from the arm of a red robot apart from the others, frozen with its scythelike weapon raised up. I jump forward, trying to catch him in a bear grip, but he is no longer there. I fall down a second time during the chase, right into a bed of roses.
Still out of breath, I roll over slowly. The thorns tear at my clothes and skin.
‘Little bastard,’ I say. ‘You win.’
A ray from bright Phobos – on its eight-hour passage through the sky – hits the robot’s open helmet. Something glints inside, something silver. I get back to my feet, reach up and climb up the robot’s armour; that, at least, is easier in Martian gravity. I dig in the dirt in the helmet and uncover a metal object. It is a Watch, with a heavy silver wristband and a brass face. The dial rests solidly at zero. I quickly put it in my pocket for a later, thorough inspection.
There are footsteps, along with a sharp gevulot request. I don’t bother trying to hide. ‘All right, Mieli,’ I say. ‘I can’t run anymore. Please don’t send me to hell, I’ll come nicely.’
‘Hell?’ says a gruff voice. ‘Hell is other people.’ I look down. A man with a carelessy aged face and a shock of white hair, in blue coveralls, is staring at me, leaning on a rake. ‘It’s not an apple tree, you know,’ he says.
Then he frowns.
‘I’ll be damned. Is that you?’
‘Uh, have we met?’
‘Aren’t you Paul Sernine?’
5
THE DETECTIVE AND THE ZOKU
Isidore almost makes it in time.
The spidercab races across the rooftops of the city. It costs a hundred kiloseconds, but it is the only option to get even close. He holds on tight to his safety belt. The carriage lurches back and forth as the vehicle – the bastard child of a spider, a H. G. Wells war machine and a taxi – leaps over rooftops and clings to walls.
He drops the box of chocolates and curses as it bounces back and forth in the cabin.
‘Are you okay back there?’ asks the driver, a young woman in the traditional red, webbed domino mask of the cabbies. In a shifting city where many places are permanently hidden by gevulot, their job is to figure out how to get you from point A to point B. There is a certain amount of pride that comes with that. ‘Don’t worry, I’ll get you there.’
‘I’m fine,’ says Isidore. ‘Just go faster.’
The zoku colony is near the prow of the city, in the Dust District, just above where the Atlas Quiet prepare Martian sand to bear the weight of the city. It is easy to see where the colony’s boundary lies: beneath the red dust clouds the wide avenues with their
After several more stomach-churning leaps, the spider-cab comes to a stop. They are in front of a cathedral-like building made from glass and light, with towers and spires and organic-looking Gothic arches jutting from its sides at random intervals.
‘Well, here we are,’ the driver says. ‘Friends in high places, eh? Don’t let them quantum your brain.’
Isidore pays, watching the dial of his Watch lurch downwards in dismay. Then he picks up the box of chocolates and assesses the damage. It is slightly dented, but otherwise intact.
‘Invitation only,’ says a voice that sounds like it is coming from underground.