Читаем The Quantum Thief полностью

A monster steps through the door. The material behaves like the surface of a vertical pond, rippling around the creature’s massive form. It is wearing a blue doorman’s uniform and a cap. It is almost three metres tall, with green skin, a face like a dried prune, tiny eyes and two massive yellow tusks. One of them has a clear, tiny zoku jewel embedded in it. Its voice is deep and unnaturally resonant, but human.

The creature holds out a massive hand. There are horned ridges running along its forearms, black and sharp, glistening with a liquid of some sort. It smells of liquorice. Isidore swallows.

‘I have an invitation,’ he says. He holds out his entanglement ring. The monster bends down and studies it.

‘The party has already started,’ the monster says. ‘Guest tokens expire.’

‘Look,’ he says. ‘I am a little late, but Lady Pixil is waiting for me.’

‘Sure she is.’

I’m at the door, he qupts at Pixil desperately. I’m running late, I know, but I’m here. Please come let me in. There is no reply.

‘That’s not going to work,’ says the monster. It clears its throat. ‘The Tangleparty is an important tradition representing the unity and cohesiveness of the zoku, dating back to the days of the ancestral metaverse guilds. On this day of celebration, we are as our ancestors were. They are not going to interrupt it to let a latecomer in.’

‘If it’s so important,’ says Isidore, ‘what are you doing here?’

The monster looks oddly sheepish. ‘Resource optimisation,’ it mutters. ‘Somebody has to do the door.’

‘Look, what is the worst that can happen if you let me in?’

‘Could get thrown out of the zoku, unentangled. On my own on an alien planet. Not good.’

‘Is there any way to,’ Isidore hesitates. ‘you know, to bribe you?’

The monster studies him. Damn. Have I offended it now?

‘Any gems? Jewels? Gold?’

‘No.’ Come on, Pixil, this is absurd! ‘Chocolate?’

‘What is that?’

‘Cocoa beans, processed in a very particular way. Delicious. For, ah, baselines anyway. This was meant as a present for Lady Pixil herself. Try one.’ He struggles to get the box open, then loses his patience and tears the lid. He tosses a beautifully crafted chocolate nugget to the monster: it snatches it from mid-air.

‘Delicious,’ it says. Then it tears the box from Isidore’s hands. It disappears down its throat with a shredder-like sound. ‘Absolutely delicious. Could I have the spime as well, please? They are going to love these in the Realm.’

‘That was it.’

‘What?’

‘I don’t have any more. It was just a physical object, one of a kind.’

‘Oh crap,’ the monster says. ‘Oh man. That’s way too much. I’m really sorry. I didn’t mean to – look, I think I can regurgitate it and we can put it back together again—’

‘Really, it’s fine.’

‘You know, it was a reflex, this body just has to conform to all kinds of narrative stereotypes. I’m sure I can come up with some sort of replica at least—’ The monster opens its mouth wide and starts pushing one of its arms in, at an impossible angle.

‘Can I just go in?’

The monster makes a gurgling sound. ‘Sure. Sure. We’ll say no more about it. I didn’t mean to be an asshole, okay? Have fun.’

The two doors swing open. The world clicks into something else when Isidore walks through. The constant tinkering with reality is something that he really hates about the Dust District. The zokus do not have the decency to hide their secrets under the surface of the mundane, but plaster them all over your visual cortex, in layers and layers of spimes and augmented reality, making it impossible to see what truly lies beneath. And the sudden feeling of openness, no boundaries of gevulot, makes him feel something akin to vertigo.

There is no diamond cathedral inside. He is standing at the entrance of a large open space, with pipes and wires in the walls and the high ceiling. The air is hot and smells of ozone and stale sweat. The floor is unpleasantly sticky. There are dim neon lights, and ancient-looking, clunky flatscreens on low tables, showing either rough animated characters or abstract dancing shapes. Loud music with a headache-inducing beat fills the space.

The party crowd is moving between the tables, talking to each other. They all look surprisingly … human. They wear homemade chainmail bikinis over pale bodies. Some carry padded swords. Others are clad in cardboard boxes. But all carry boxes with wires, or have circuit boards strapped to their belts.

‘Hey. Want to entangle?’

The girl looks like a plump, pink-haired elf. She is wearing large cat ears, far too much makeup and an uncomfortably tight T-shirt in which a large-eyed female is doing something obscene with something. She is also carrying twin phallic silvery rockets in a backpack, connected to a touchscreen phone in her hand with a thick umbilical cable.

‘Uh, I would love to, but—’ He loosens his bow tie again. ‘I’m actually looking for Pixil.’

The girl stares at him, eyes wide. ‘Ooooh.’

‘Yes, I know, I’m late, but—’

Перейти на страницу:

Похожие книги

Укрытие. Книга 2. Смена
Укрытие. Книга 2. Смена

С чего все начиналось.Год 2049-й, Вашингтон, округ Колумбия. Пол Турман, сенатор, приглашает молодого конгрессмена Дональда Кини, архитектора по образованию, для участия в специальном проекте под условным названием КЛУ (Комплекс по локализации и утилизации). Суть проекта – создание подземного хранилища для ядерных и токсичных отходов, а Дональду поручается спроектировать бункер-укрытие для обслуживающего персонала объекта.Год 2052-й, округ Фултон, штат Джорджия. Проект завершен. И словно бы как кульминация к его завершению, Америку накрывает серия ядерных ударов. Турман, Дональд и другие избранные представители американского общества перемещаются в обустроенное укрытие. Тутто Кини и открывается суровая и страшная истина: КЛУ был всего лишь завесой для всемирной операции «Пятьдесят», цель которой – сохранить часть человечества в случае ядерной катастрофы. А цифра 50 означает количество возведенных укрытий, управляемых из командного центра укрытия № 1.Чем все это продолжилось? Год 2212-й и далее, по 2345-й включительно. Убежища, одно за другим, выходят из подчинения главному. Восстание следует за восстанием, и каждое жестоко подавляется активацией ядовитого газа дистанционно.Чем все это закончится? Неизвестно. В мае 2023 года состоялась премьера первого сезона телесериала «Укрытие», снятого по роману Хауи (режиссеры Адам Бернштейн и Мортен Тильдум по сценарию Грэма Йоста). Сериал пользовался огромной популярностью, получил высокие рейтинги и уже продлен на второй и третий сезоны.Ранее книга выходила под названием «Бункер. Смена».

Хью Хауи

Научная Фантастика / Социально-психологическая фантастика