Читаем The Rebel Angels полностью

"The group protested, and the shrink told me I must show compassion to my fellow-creatures. His idea of compassion was allowing every indefensible statement to pass unchallenged and sugary self-indulgence to pass as insight. He was a boob – a boob with a technique, but still a boob. When I told him so, he was indignant. Let me give you a tip, Maria: never get yourself into the hands of a shrink who is less intelligent than you are, and if that should mean enduring misery without outside help, it will be better for you in the long run. Shrinks aren't all bright, and they are certainly not priests. I was beginning to think that a priest was what I needed, when finally they told me that the Foundation had done all it could for me, and I must re-enter the world. Threw me out, in fact.

"Where does one look for a good priest? I tried a few, because we all have streaks of sentimentality in us and I still believed that there must be holy men somewhere whose goodness would help me. Oh, God! As soon as they found out how highly educated I was, how swift in argument, how ready with authority, they began to lean on me, and tell me their troubles, and expect answers. Some of them wanted to defect and get married. What was I to do? Get out! Get out! But where was I to go?

"I had a little money, now, because my parents had died and although their last, long illnesses had gobbled up a lot of the family substance, I had enough money to go travelling, and where did I go? To Capri! Yes, Capri, that cliche of wickedness, although it is now so overrun with tourists that the wicked can hardly find room to get on with their sin; the great days of Norman Douglas have utterly departed. So, eastward to the Isles of Greece, where burning Sappho loved and sung but has been edged out of the limelight now by the beautiful fisher-boys who will share a seaside place with you for a substantial price, plus gifts, and who may turn ugly and beat you up now and then, just for kicks. One of them put me in the hospital for six weeks, one bad springtime. Am I shocking you, Maria?"

"Certainly not by telling me you're one of the Gays."

"Ah, but I'm not, you see; I'm one of the Sads, and one of the Uglies. The Gays make me laugh; they're so middle class and political about the whole thing. They'll destroy it all with their clamour about Gay Lib and alternative life-styles, and all love is holy, and 'both partners must be squeaky clean'. That's putting the old game on a level with No-Cal pop or decaffeinated coffee – appearance without reality. Strip it of its darkness and danger and what is left? An eccentricity, as if I stuck this spaghetti into my ear instead of into my mouth. Now that would be an alternative life-style, and undoubtedly a perversion, but who would care? No: let my sin be Sin or it loses all stature."

"If you prefer men to women, what's it to me?"

"I don't, except for one form of satisfaction. No, I want no truck with 'homo-eroticism' and the awful, treacherous, gold-digging little queens you get stuck with in that caper: I want no truck with Gay Liberation or hokum about alternative life-styles: I want neither the love that dare not speak its name nor the love that blats its name to every grievance committee. Gnosce teipsum says the Oracle at Delphi; know thyself, and I do. I'm just a gross old bugger and I like it rough – I like the mess and I like the stink. But don't ask me to like the people. They aren't my kind."

"From what you tell me, Brother John, not many people seem to be your kind."

"I'm not impossibly choosy: I just ask for a high level of intelligence and honesty about things that really matter."

"That's choosy enough to exclude most of us. But something must have happened to get you out of Greece and into that robe."

"You mistrust the robe?"

"Not entirely, but it makes me cautious. You know what Rabelais says – 'Never trust those who look through the hole of a hood.'"

"Well, he looked through that hole for much of his life, so he ought to know. You've never told me, Maria, what brings you to devote so much of your time to that dirty-minded, anti-feminist old renegade monk. Could he have been one of my persuasion, do you suppose?"

"No. He didn't like women much, though he seems to have liked one of them enough to have a couple of children by her, and he certainly loved the son. Maybe he didn't meet the right kind of women. Peasant women, and women at court, but did he meet any intelligent, educated women? They must have been rarities in his experience. He couldn't have been like you, Brother John, because he loved greatly, and he rejoiced greatly, and he certainly wasn't a university hanger-on, which is what you are now. He loved learning, and didn't use it as a way of beating other people to their knees, which seems to be your game. No, no; don't put yourself on the same shelf as Master François Rabelais. But the monk – come on, how did you become a monk?"

Перейти на страницу:

Похожие книги

Шедевры юмора. 100 лучших юмористических историй
Шедевры юмора. 100 лучших юмористических историй

«Шедевры юмора. 100 лучших юмористических историй» — это очень веселая книга, содержащая цвет зарубежной и отечественной юмористической прозы 19–21 века.Тут есть замечательные произведения, созданные такими «королями смеха» как Аркадий Аверченко, Саша Черный, Влас Дорошевич, Антон Чехов, Илья Ильф, Джером Клапка Джером, О. Генри и др.◦Не менее веселыми и задорными, нежели у классиков, являются включенные в книгу рассказы современных авторов — Михаила Блехмана и Семена Каминского. Также в сборник вошли смешные истории от «серьезных» писателей, к примеру Федора Достоевского и Леонида Андреева, чьи юмористические произведения остались практически неизвестны современному читателю.Тематика книги очень разнообразна: она включает массу комических случаев, приключившихся с деятелями культуры и журналистами, детишками и барышнями, бандитами, военными и бизнесменами, а также с простыми скромными обывателями. Читатель вволю посмеется над потешными инструкциями и советами, обучающими его искусству рекламы, пения и воспитанию подрастающего поколения.

Вацлав Вацлавович Воровский , Всеволод Михайлович Гаршин , Ефим Давидович Зозуля , Михаил Блехман , Михаил Евграфович Салтыков-Щедрин

Классическая проза / Юмор / Юмористическая проза / Прочий юмор / Проза