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The Sculptor, however, would argue that it all began with his return to St. Bartholomew’s. It was a week after his mother’s funeral, on the very same day the eighteen-year-old Christian spoke with his father’s lawyer-a kind old gentleman who would facilitate the sale of his father’s software company and make The Sculptor a millionaire many times over. It was then that the lawyer explained to him the details of the accident and about his mother’s affair at the country club with a tennis pro named Damon Manzera-a once promising young player whose career was cut short by injury, and who the lawyer said was only a few years older than Christian himself. Thus, it was after his meeting with the lawyer that the young man named Christian wandered without thinking back to St. Bartholomew’s, searching like a zombie in the fog for something to guide him.

And so it was that-even though he was nowhere near to understanding the bigger picture of it all quite yet-the young man who would one day become The Sculptor had his first awakening before the Pietà, standing there gazing down at Michelangelo’s masterpiece as he had done in his mother’s arms so many times, so many years ago. However, it was not the statue itself, but the plaque at its base that-like a chisel to a block of marble-cracked Christian’s mind with the understanding of why fate had brought him there that day.

Dedicated in memory of Filomena Manzera

Manzera. Damon Manzera.

Yes, how many times had the boy named Christian sat in that very same church with his mother, listening to Father Bonetti assure the congregation that our time in this world served some greater purpose of which together we all played a part, that all of mankind’s lives were intertwined, that “Everything was connected.” And after some poking around, the young man named Christian learned that the family who had bestowed upon St. Bartholomew’s their gift of the Pietà was in fact the same family who had bestowed upon the world the tennis pro Damon Manzera-the tennis pro who had killed his mother and turned his father into a vegetable.

And just as the young man named Christian understood that fate had brought his mother and the tennis pro together at the country club in some divine connection to the Pietà-a divine connection that had to do with him, with a mother’s love for her son-the young man named Christian also understood that fate had now brought him and the tennis pro together, too.

Oh yes. Christian understood all too well what he had to do next.

And so, after he finished up at Phillips Exeter, between visiting his father at the care facility and going full time to nursing school, the young man named Christian began building up his body-first at the gym, then in the cellar of his parents’ home-all the while his mind focused clearly on the duality of his purpose: the caring for his father and his revenge on Damon Manzera. And after the former was safely back at home, for years Christian followed the latter, learning his movements and waiting patiently for a sign from fate that it was time.

Ironically, it all came together so quickly in the end. Damon Manzera, who was still teaching tennis at the country club-and who himself had become quite the drinker after a failed marriage-had moved back temporarily with his parents on Love Lane, where he spent many a warm summer evening in the backyard drinking beer and swimming in the Manzera’s in-ground pool. If Damon Manzera ever thought about his former mistress, if he ever felt guilty about the part he played in her death, he gave no sign of it to Christian, who for four years had spied on him nearly every day with his binoculars.

And so, with the permission of fate, the young man named Christian snuck into the Manzeras’ backyard through the woods, hopping the high stone wall just after dark and waiting among the trees until Damon Manzera was good and drunk. He did not yet have the night vision goggles or the tranquilizer rifle that he would later use on Tommy Campbell; he did not even have to wrestle the tennis pro under control as he had done when he dragged poor Michael Wenick down the drainpipe. No, for the young man who would soon become The Sculptor, his first murder was somewhat anticlimactic; and in the end he simply lifted the unconscious Manzera off his lounge chair and drowned him with no more effort than it would have taken him to wash the dishes.

Christian was able to hop from the diving board and into the woods without leaving even a single footprint on the cement. When in the weeks that followed it became apparent that he had actually gotten away with his murder of Damon Manzera, the young man named Christian began to feel empty. Yes, the man who was to become The Sculptor wanted to kill again; he wanted to kill more Damon Manzeras-so much so that he actually got an erection when he thought about it.

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