Indeed, for all his intellect, for all his self-awareness, the young man named Christian never quite understood why-when he was younger, when he was away at Phillips Exeter-he had never shown much interest in girls. He would not get hard when he looked at them in class and would certainly not “jerk off” like his classmates did to the pornographic pictures that were so often passed around. True, sometimes he found his hands absently wandering to his groin late at night when he thought about his mother, but the only time he really got hard was when he thought about his male classmates, when he would see them with their shirts off or coming out of the shower stalls, upon which Christian would quickly avert his eyes so as not to become aroused in front of them.
There was only one other boy at Phillips that Christian knew felt the same way-an “experienced” boy who took Christian under his wing, and with whom he would sometimes sneak away to places hidden; places where they could kiss and be naked against each other; places where they could take each other’s penises in their mouths, or insert them in each other’s behinds. With the death of Christian’s mother, however, all that stopped; and long after Christian moved back to Rhode Island, the young man struggled with his desire for male company and the guilt that somehow his homosexuality had contributed to both his mother’s death and his father’s vegetative state.
Yet with the murder of Damon Manzera, Christian found himself getting hard when he thought about that, too; and thus he understood that fate had directed him to channel his desire into something much more productive. He began fantasizing, began researching and experimenting with different methods. The idea of epinephrine had appealed to him from the beginning because he knew it would mimic his heart-pounding revelation before the
Gabriel Banford was always to have been the first victim of this new method. Christian had followed him for weeks after spotting him at Series X and planned on waiting for him in the dark of his bedroom. But on the evening that he should have killed him, when he stumbled upon Banford’s copy of
So overcome was The Sculptor by his revelation that he left Banford’s apartment in shock. He left the young man alive only to return a week later-after he had purchased his own copy of Slumbering in the Stone and read it cover to cover ten times, after he finally understood the totality of his purpose-that is, why fate had led him to Banford, to Dr. Catherine Hildebrant, and to Michelangelo, that man whose work was to become a template for The Sculptor’s destiny.
Everything is connected.
And now, six years later, as he followed the black Trailblazer on Route 95 toward downtown Providence, The Sculptor grinned widely beneath his fake moustache. Yes, even though the FBI was getting close to him, even though they had made the connection between the stolen
Yes, something deep down told The Sculptor that he had finally found Dr. Hildy.
Chapter 44