The Sculptor

“Well-it’s just that-they talked to me, too, you know. The FBI. The day after it all happened. They asked me if I had any students that might fit the profile of the guy they were looking for. Christ, I couldn’t give them anything-don’t know why the fuck they’d want to talk to me, other than my association with you. Is there something I should know about, Cat? Some other reason why you’re involved with this bullshit?”

“They’re probably just covering their bases,” Cathy lied-it hadn’t occurred to her that the FBI might question her ex-husband.

But he’s still in the dark. They must not have mentioned the notes.

That was good.

“Christ, Cat. It’s been a pretty fucked-up week. I’ve been seeing all that stuff on TV, been hearing about what happened to Soup and that little boy and…well…being sort of involved in a way, and hearing your name all the time mentioned in that context-well, it’s really been messing with my head, Cat. Made me realize how foolish I was to let go of the person that meant the most to me in this world. And, I don’t know, with the finality of it all, our divorce staring me right in the face, I just thought that maybe-”

“She dump you, Steven, your little graduate student?”

“Catherine, please,” said Steve with a hand through his thick curly hair. “This has nothing to do with her. You know I’ll never feel the same way about her, about anybody, as I felt, as I still feel about you.”

“You should have thought about that before you got your dick stuck in her thesis. I have nothing more to say to you. Good-bye, Steven.”

Only after she was back inside, only after she heard the sound of Rogers’s BMW Z4 roadster speeding off into the distance, did Cathy realize how much the events of the previous week had changed her. For the first time in their twelve-year relationship, Cathy had not the slightest impulse to give in to Steve Rogers-not the slightest. That meant that it was truly over; she had grown stronger-so much so that when she hung up with Sam Markham the following Wednesday, Cathy felt secure enough to resign herself to the feelings for him that had already begun to blossom in her heart.

Of course, Cathy knew very well that her interest in Markham began with their first encounter; but Cathy was also smart enough to realize that her feelings toward him had been confused not only by the overwhelming totality of the previous week’s events, but also by her acute self-awareness of her still-vulnerable broken heart. But while Markham had been pursuing leads all over New England, after quietly finishing up the spring semester at Brown, after dealing with her ex-husband and retreating with the Polks to Bonnet Shores for the weekend to help them ready their beach house, despite a somber self-consciousness that her actions were playing out in the shadow of the murders of Tommy Campbell and Michael Wenick-murders that, still unbeknown to the general public, had been dedicated to her-Cathy also felt a gnawing premonition that a door to a new life had been opened, and that it was Sam Markham who would carry her over the threshold.

In addition to speaking with Markham only twice since telling him about the opening quote to Slumbering in the Stone, Cathy received a telephone call from Special Agent Rachel Sullivan the morning after she arrived at Janet’s. Sullivan advised Cathy to make an official statement to the Associated Press telling them she could offer nothing more than confirmation that the bodies of Tommy Campbell and Michael Wenick had indeed been found posed like Michelangelo’s Bacchus. Sullivan also advised that Cathy stay clear of any interviews-not only to maintain the integrity of the investigation, but also in the event the information about the inscription was ever leaked to the press. Cathy heeded Sullivan’s advice, and by Friday of that first week, the messages on her voice mail had dwindled down to one.

And so, with the worst seemingly behind her, on the morning after her divorce from Steve Rogers-a bright May morning that whispered of the coming summer, her first as a single woman since her midtwenties-Cathy sat waiting on the Polks’ front porch amidst a haze of dread and excitement. Yes, now that the semester was over, now that Rogers was out of her life for good, the void that should have been the beginning of her new life was overwhelmed by a constant preoccupation with two people: The Michelangelo Killer and Sam Markham. That both of them should be inextricably tied together was to Cathy Hildebrant both a blessing and curse. Although she could not rid her mind of The Michelangelo Killer’s Bacchus, of the terror of knowing that her book had been the inspiration for that heinous crime, by that same token such thoughts invariably brought with them the presence of Sam-a presence far away but at the same time close to her in the dark, a presence that helped her through those long nights alone in the Polks’ guest room.