The Sculptor

Christian had been granted early acceptance to Brown-had planned on majoring in history like his mother-but after finishing out his final year at Phillips, opted to enroll in nursing school in order to best take care of his father. There had been a lawsuit filed against the trucking company on Christian’s behalf. The driver of the semi had been drinking when he slammed into Christian’s parents, and a settlement was reached out of court awarding Christian both compensation for his mother’s death and enough money to care for his father for the rest of his life. The judgment gave Christian little consolation, as the young man would not have needed the money anyway. No, Christian’s father had earned enough money in his lifetime to care for a dozen invalids a dozen lifetimes over. And at first Christian kept his father in an adult care facility, but after graduating from nursing school, Christian took the burden of caring for his father solely upon himself.

Besides, Christian knew he would never ever have to work for money.

No, Christian’s work would be of a different kind-would serve a different purpose. That purpose had only become clear to him in the last few years, when he fully began to understand why his mother had beaten him and cheated on his father and, consequently, caused him to become the vegetable upstairs. Yes, his own life, his own personal tragedy was only a symptom of a much larger disease. And now that he had become The Sculptor, now that he understood his purpose, the man who once called himself Christian also understood that the disease could be cured; that he could use his insight to help others; and that he was put on this planet to save mankind from its own spiritual destruction. And so, just as he himself had awakened from a lifetime of slumber, The Sculptor would see to it that others would awaken as well.

The Sculptor stepped off the back porch and headed down the flagstone path to the carriage house. He began to giggle, for even though The Sculptor hated the Internet, he could not help feeling excited about what was waiting for him.

Yes, The Sculptor had the utmost faith that his plan would succeed.

And Dr. Catherine Hildebrant would be the one to help him.

Chapter 4

“Are you feeling better now?” asked Special Agent Markham.

“Yes, thank you,” Cathy lied, shaken. She had been staring out the window at nothing in particular as row upon row of nameless buildings whizzed past her. Then all at once Cathy realized that, despite the morning’s events, she had been unconsciously searching for the big blue bug on the roof of the New England Pest Control building. Cathy hated that big blue bug-a monstrous, tacky sculpture that appeared to have been built by a four year-old-but always found herself staring up at it, actually looking for it when she headed into Providence from points southward.

“And thank you for the coffee,” she added after a moment.

“Don’t mention it.” The FBI agent had fixed it just the way she liked it-grande, nonfat milk, two Sweet’N Lows-and had not even blinked at double parking his black Chevy Trailblazer right outside of Starbucks, right where the GPS navigation system said it would be in the middle of congested Thayer Street. A job with “perks,” Cathy thought, then quickly felt ashamed of her private joke at a time like this.

“Do you mind if we ask you a couple of questions, Dr. Hildebrant?” It was the FBI agent in the backseat, a woman by the name of Sullivan-blond, early thirties, with chiseled features that Cathy envied. She was with the Field Office in Boston, Markham told her-had been waiting in the Trailblazer while he was meeting with Cathy.

“Go right ahead,” Cathy said.

Agent Sullivan produced a small, digital recording device from her jacket pocket and held it to her mouth.

“This is Special Agent Rachel Sullivan en route with Markham and Dr. Catherine Hildebrant. The date is Sunday, April 26. The time is 12:20 P.M.”

Sullivan placed the recorder between Markham and Cathy-its red light making Cathy self-conscious.

“Dr. Hildebrant,” Sullivan began, “you’re the author of the book on Michelangelo titled Slumbering in the Stone, is that correct?”

“Yes.”

“Is that your only published work?”

“No, but the only one dedicated solely to Michelangelo’s sculptures-and the only one to cross over from the academic market to reach a more popular audience.”

“It’s sold a lot of copies then?”

“Not a New York Times bestseller by any means, no. But, as far as these things go in academia, yes, you could say it’s sold a lot.”

“And what else have you published?”

“I coauthored an introduction to art history textbook with a former colleague of mine from Harvard, as well as publishing the obligatory articles now and then in various academic journals.”

“I see,” said Sullivan.