The conservative official pseudoculture has many tasks, but one of the most important is constantly to neutralize true culture and render it harmless. It tries to depict every opponent, once he is dead, as its own precursor. Pushkin, Gogol, Pasternak, Tvardovsky, Vampilov — all, despite the persecution they suffered in their lifetime, became classics after their death. The same thing seems now to be happening with V. Vysotsky. When he was alive not one line of his was ever printed — except in the collection entitled
What force is it that draws them irresistibly towards those they have killed? They take their stand in the guard of honour, their faces pious and sorrowful, their eyes bright and clear. They are sure nobody will dare to drive them away. They make better use of this death than anyone else. They get to work at once after the funeral is over. The deceased genius has to be adapted, given the required appearance. Pleasant portraits are produced, together with moving and instructive biographies. Whatever is not needed and out of place is deleted. From selected quotations, canons and dogmas are built which are as solid as prison walls.51
But on one plane they are mistaken. The essential characteristic of a genius is that he remains spiritually alive for us even after his physical death — whereas a reactionary mediocrity falls victim to oblivion while still with us. In this sense Bulgarin’s fate was tragic: he fought a notoriously hopeless battle with Pushkin, and even the genius’s death left him no choice of victory. Bulgarin was doomed: in the twentieth century who will ever read his book about Vyzhigin? But others come to take Bulgarin’s place: mediocrities just like him, while nobody has replaced Pushkin.
Is there a solution to this tragic collision? And does not history, in the end, ensure the triumph of Pushkin over Bulgarin? Granin does not put this question to us, but nobody is left with any doubt as to whose side he is on. Reaction, though, does not come from nowhere. It is based upon certain classes, on state institutions, on the bureaucracy. Consequently progress, too, can base itself not only on the abstract power of reason but also on quite real social forces. The victory of reason, said Brecht, is possible only as the victory of the rational — as the victory of the advanced classes and parties which can smash reaction.
This revolutionary force is the working masses, including the intelligentsia — masses which have acquired political (class) self-awareness. But is the intelligentsia a real force? Igor Kon, in ‘Reflections on the American Intelligentsia’, came to this conclusion, from the sociological standpoint. Kon’s article, which belongs in the context of the general theories of the Frankfurt School (he refers directly, for example, to ‘the remarkable book by Robert Wolff, Barrington Moore and Herbert Marcuse,
Kon examines the making of a mass intelligentsia, its transformation into a ‘new working class’, and so into a mighty economic and political force: