A few days before the events connected with the Yel’tsin affair, the
Without a radical design for the future there can be no revolutionary practice. And such a design is, in its turn, impossible without the development of a new political culture, without a change in social consciousness. This task cannot be accomplished by politicians and social activists alone. Without help from writers, playwrights and poets they will not win their battle.
The intelligentsia is changing along with society. The future of culture is the future of the country. Many generations of Russia’s best people have given their labour and their lives so that this country should be free. A defeat for the present movement for socialist democracy would not only be a catastrophe for our society, it would mean the downfall of all Russian culture, with its historic values, its continuity and traditions. The outcome of this struggle is by no means dependent on the intelligentsia alone, but, as before, the role they have to play is an important one.
PART ONE
The Thinking Reed
Introduction
This work is an attempt at an examination, as objective as possible, of some pressing problems of the cultural-political process in our country. The reader may judge the degree of objectivity attainable by someone who is not a detached observer or a historian of remote periods, but a contemporary.
However, this question may be asked at the outset: What does the author actually mean by ‘cultural-political process’, or, in other words, what is the book about? This very question confronted me while I was writing, and only, it seems, when I had finished the book did I find — more or less — the answer to it. Consequently, I might quite naturally invite the reader to seek the answer in the book itself, but it would be too cruel to force him or her to traverse, even in a shorter time, the entire path which the author had to follow. So some very important explanations are called for right at the start.
Culture is itself one of the most complex of concepts. Some American scholars who have analysed the different points of view that exist where this question is concerned have arrived at the not very comforting conclusion that there are ‘plenty of definitions but too little theory’.1 Culture is an ‘evasive’ concept — like time, man, or nation. To begin this book with yet another ‘formula’ would be not only hopeless conceit but also a futile procedure. Instead of engendering definitions, a better idea would be to take a closer look at the essence of the problem which is studied in this book.