The Way of Kings

The man paused. He raised a hand to his head, wavering. “Who am I? I… I am Talenel’Elin, Stonesinew, Herald of the Almighty. The Desolation has come. Oh, God… it has come. And I have failed.”

He slumped forward, hitting the rocky ground, Shardblade clattering down behind him. It did not vanish. The guards inched forward. One prodded the man with the butt of his spear.

The man who had named himself a Herald did not move.

“What is it we value?” Wit whispered. “Innovation. Originality. Novelty. But most importantly… timeliness. I fear you may be too late, my confused, unfortunate friend.”

The end of

Book One of

THE STORMLIGHT ARCHIVE

Endnote

“Above silence, the illuminating storms – dying storms – illuminate the silence above.”

The above sample is noteworthy as it is a ketek, a complex form of holy Vorin poem. The ketek not only reads the same forward and backward (allowing for alteration of verb forms) but is also divisible into five distinct smaller sections, each of which makes a complete thought.

The complete poem must form a sentence that is grammatically correct and (theoretically) poignant in meaning. Because of the difficulty in constructing a ketek, the structure was once considered the highest and most impressive form of all Vorin poetry.

The fact that this one was uttered by an illiterate, dying Herdazian in a language he barely spoke should be of particular note. There is no record of this particular ketek in any repository of Vorin poetry, so it is very unlikely that the subject was merely repeating something he once heard. None of the ardents we showed it to had any knowledge of it, though three did praise its structure and ask to meet the poet.

We leave it to His Majesty’s mind, on a strong day, to puzzle out the meaning of why the storms might be important, and what the poem may mean by indicating that there is silence both above and below said storms.

– Joshor, Head of His

Majesty’s Silent Gatherers,

Tanatanev 1173

ARS ARCANUM

The Ten Essences and Their Historical Associations

The preceding list is an imperfect gathering of traditional Vorin symbolism associated with the Ten Essences. Bound together, these form the Double Eye of the Almighty, an eye with two pupils representing the creation of plants and creatures. This is also the basis for the hourglass shape that was often associated with the Knights Radiant.

Ancient scholars also placed the ten orders of Knights Radiant on this list, alongside the Heralds themselves, who each had a classical association with one of the numbers and Essences.

I’m not certain yet how the ten levels of Voidbinding or its cousin the Old Magic fit into this paradigm, if indeed they can. My research suggests that, indeed, there should be another series of abilities that is even more esoteric than the Voidbindings. Perhaps the Old Magic fits into those, though I am beginning to suspect that it is something entirely different.

On the Creation of Fabrials

Five groupings of fabrial have been discovered so far. The methods of their creation are carefully guarded by the artifabrian community, but they appear to be the work of dedicated scientists, as opposed to the more mystical Surgebindings once performed by the Knights Radiant.

Altering Fabrials

Augmenters: These fabrials are crafted to enhance something. They can create heat, pain, or even a calm wind, for instance. They are powered – like all fabrials – by Stormlight. They seem to work best with forces, emotions, or sensations.

The so-called half-shards of Jah Keved are created with this type of fabrial attached to a sheet of metal, enhancing its durability. I have seen fabrials of this type crafted using many different kinds of gemstone; I am guessing that any one of the ten Polestones will work.

Diminishers: These fabrials do the opposite of what augmenters do, and generally seem to fall under the same restrictions as their cousins. Those artifabrians who have taken me into confidence seem to believe that even greater fabrials are possible than what have been created so far, particularly in regard to augmenters and diminishers.

Pairing Fabrials

Conjoiners: By infusing a ruby and using methodology that has not been revealed to me (though I have my suspicions), you can create a conjoined pair of gemstones. The process requires splitting the original ruby. The two halves will then create parallel reactions across a distance. Spanreeds are one of the most common forms of this type of fabrial.