Hashemites and Kennedys, Maos, Nehruvians and Assads
Lyonia the Ballerina: Brezhnev In Power
The Scorpion’S Bite and the Fall of Little Cannon: Mao Unleashes Jiang Qing
Nasser and the King: Six Days In June
The Assassinations: Rfk, Mlk, Mboya
The Aphrodisiac of Power: Kissinger and Nixon’S Triangular Game
Killing B -52: Mao and Pol Pot
Call Me Sir – Dumb Doll Dominates India
I Like Rightists: American Metternich and the Philosopher -King of China
Houses of Solomon and Bush, Bourbon, Pahlavi and Castro
Wild Beasts and Lions: The Assads of Damascus
Imperial Peacocks: The Satanic Feast and the Angel
Did King David Retire? The
and Major Mengistu
Brother No. 1 and the Gang of Four
The Crusader and the Prince: European Tyrants and Democrats
Indira and Son
Little Cannon, The Eight Immortals and the Scorpion’S Gang
Castro’S Africa
The Spymaster: andropov and His ProtéGé Gorbachev
Imam, Shah and Saddam
Jj of Ghana and Sadat In Jerusalem
Operation 333 In Kabul
Poppy, Osama and W
Maggie and Indira
The Nehruvians: Third Generation
ACT TWENTY-TWO 4.4 BILLION
Yeltsins and Xis, Nehruvians and Assads, Bin Ladens, Kims and Obamas
The Idiot and the Cannon: Gorbachev, Deng and the Unipower
New Africa: Mandela and Jj, Menes and Isaias
The
: Boris, Tatiana and Rasputin
Knights of Damascus, Marxist Monster Movies and Kings of Data: Iphones and Daggers
Prince of the Towers
Bashar, The Bayonet and the Mona Lisa of India
Where Lions and Cheetahs Lurk
The Killing of Geronimo
ACT TWENTY-THREE 8 BILLION
Trumps and Xis, Sauds, Assads and Kims
The Caliphate and the Crimea
The Dynasts
The Emperor, The Tsar and the Comedian
Conclusion
Epigraph
Select Bibliography
Also by Simon Sebag Montefiore
Copyright
If a kingdom be a great family, a family likewise is a little kingdom, torn with factions and exposed to revolutions.
The world is a mountain and our deeds, voices;
The voices have echoes; to us they will return.
Until the lions have their own historians, the history of the hunt will always glorify the hunter.
Truth never yet fell dead in the streets; it has such an affinity with the soul of man, the seed however broadcast will catch somewhere and produce its hundredfold.
So many wars, so many shapes of crime . . .
Unholy Mars bends all to his mad will;
The world is like a chariot run wild.
The whole question is: who controls whom.
He who believes that by studying isolated histories, he can acquire a fairly just view of history as a whole, is like the person who, after looking at the severed limbs of an animal once alive and beautiful, fancies he has seen the creature alive in all its action and grace . . . It is only indeed by study of the interconnection of all the particulars, their resemblances and differences, that we are enabled at least to make a general survey, and thus derive both benefit and pleasure from history.
Midway on life’s journey, I found myself in a dark wood, for the straight path was lost.
PREFACE AND ACKNOWLEDGEMENTS
This is a world history that I wrote during the menacing times of Covid lockdown and Russian invasion of Ukraine. There are a million ways to do such a thing; hundreds of historians, starting in ancient times, have done it their way; most universities now have professors of world history and scores of such works are published annually, many of them brilliant, and I have tried to read them all. No book is easy to write, world history harder than most. ‘Words and ideas pour out of my head,’ wrote Ibn Khaldun composing his world history, ‘like cream into a churn.’ There has been much cream and much churning in the writing of this.
I have always wanted to write an intimate, human history like this, in some ways a new approach, in some ways a traditional one, which is the fruit of a lifetime of study and travels. I have been lucky enough to visit many of the places in this history, to witness wars and coups that play a part in it, and to have conversations with a few characters who have played roles on the world stage.
When I was eleven, my father, a thoughtful medical doctor, gave me an abridged version of the now pungently unfashionable Arnold Toynbee’s