Across the Atlantic, in a world cut off from Afro-Eurasia for millennia, Trajan’s Mesoamerican contemporary First Step Shark – Yax Ehb Xook – the ajaw
or lord of a thriving city state Tikal (Guatemala), one of many Mayan-speaking cities, was founding one of the great dynasties that would rule for eight centuries. Founded around 300 BC, Tikal – known by the Maya as Yax Mutal – had 100,000 inhabitants, much smaller than Rome, Luoyang, Chang’an and Seleucia, the biggest cities of Eurasia, each with a million. But Tikal was just one of many Mesoamerican city states that boasted sophisticated urban life. They developed glyphic writing (using logograms to represent words), charted the stars and created a calendar, celebrating their festivals according to their knowledge of the heavens. They lived on maize, tomatoes, beans, and drank chocolate. In their workshops, they crafted obsidian, volcanic glass, into weapons, tools, jewels and mirrors, and they spun cotton, which they traded, along with slaves, to their neighbours. They were skilled dentists, inserting turquoise and quartz into their front teeth so firmly that they remain in Maya skeletons. They knew of the wheel, but they did not use it for travel, only for children’s toys, yet they built straight, raised roads, known as white roads, to reflect the Milky Way. In their monumental pyramidal temples, they worshipped an array of gods who demanded blood: their rulers had to draw stingray spines through their penises, a painful ritual that demonstrated the need for divine approval to rule. At the temples, they made human sacrifices, by beheading, scalping, skinning, disembowelling their offerings, cutting out their hearts and burying them with wild animals. The best victims were high-born prisoners. The cities featured ballcourts where the Maya played sacred games with rubber balls, which had even higher prizes than our football. Their gods were said to have clashed with mortals on the ballcourts; some gods were top ballplayers and mortals became gods by beating them. Their rulers played to demonstrate their power. Sometimes they used balls containing human heads.The games represented the wars fought against rival cities in which they deployed blow darts and obsidian spears. Major conflicts they called ‘star wars’, represented by a glyph of a star scattering the earth. The Maya traded their jewels, obsidian crafts and slaves with other American peoples,*
including the biggest city on the continent, Teotihuacan in the Valley of Mexico, City of the Sun. Teotihuacan’s apogee coincided with Trajan’s reign. It had a multi-ethnic population of 150,000 – Maya and others, and a hinterland containing a million people – and boasted a central avenue, the Avenue of the Dead, lined with monumental pyramids and temples. The Pyramid of the Sun, site of mass sacrifices, was the third highest edifice on earth.Teotihuacan was the centre of obsidian craftsmanship, its people mining the glass from an old volcano, and many of them worked in obsidian laboratories, making weapons, mirrors and jewellery. Yet the city was built with no wheeled vehicles, no animal power and, unlike the many Maya cities, few inscriptions and no ballcourt. Lacking portraits or tombs, it may have been a sort of republic. After a revolution around 200, the Teotihuacans stopped building temples and palaces and started building comfortable apartment buildings decorated with colourful psychedelic murals, their inhabitants praying at communal altars where the heads of sacrificed victims were displayed. This was perhaps the first social housing and urban-renewal scheme.*
Back in Rome, Trajan, granted the agnomen
Optimus Princeps – Best Emperor – decided to conquer Parthia, which had been weakened by the feuds of House Arsak. Rome was gradually swallowing up the kingdoms that controlled Eurasian trade. In 106, when the Nabataean king died, Trajan annexed Arabia, giving Rome another border with Parthia and control of most trade routes except the Parthian ports on the Persian Gulf. The Best Emperor could not fail …HADRIAN IN LOVE: DEATH ON THE NILE