The Year's Best Science Fiction, Vol. 20

It’s nearly impossible to come up with a follow-up candidate for best original SF anthology this year, although there were several anthologies with one or two good stories apiece in them. The most solid of these overall was probably 30th Anniversary DAW: Science Fiction (DAW), edited by Elizabeth R. Wollheim and Sheila E. Gilbert; a lot of the stuff here is just fragments of larger story-arcs, depending on your familiarity with long-running DAW novel series for full effect, but there is some good self-contained work here by Neal Barrett, Jr., Brian Stableford, C. J. Cherryh, Charles L. Harness, Ian Watson, and others. Once Upon a Galaxy (DAW), edited by Wil McCarthy, Martin H. Greenberg, and John Heifers, an anthology of fairy-tales retold as science fiction, has some clever stuff in it. The best story here is by Paul Di Filippo, but there is also good stuff by Gregory Benford, Stanley Schmidt, Scott Edleman, Thomas Wylde, and others. Sol’s Children (DAW), edited by Jean Rabe and Martin H. Greenberg, features good but unexceptional stories by Timothy Zahn, Michael A. Stackpole, Kristine Kathryn Rusch, the late Jack C. Haldeman II, and others. Oceans of Space (DAW), edited by Brian M. Thomsen and Martin H. Greenberg, is largely unimpressive, but has decent stories by Andre Norton, Mike Resnick, Simon Hawke, and others.

PS Publishing, edited by Peter Crowther, which for the last couple of years has been bringing out novellas in individual chapbook form, produced another bunch of titles this year, including the excellent V.A.O., by Geoff Ryman, good novellas such as Riding the Rock, by Stephen Baxter, The Tain, by China Mieville, and others. Golden Gryphon Press got into the same business this year, bringing Alastair Reynold’s first-rate novella Turquoise Days out as an individual chapbook. You’re more likely to find really good science fiction in these chapbooks than you are to find it in most of the second-tier anthologies mentioned above.

There were three original Alternate History anthologies this year, the best of which was Worlds That Weren’t (Roc), edited by Laura Ann Gilman; the best story here is Walter Jon Williams’s strange novella “The Last Ride of German Freddie,” but the book also features good novellas by Harry Turtledove, Mary Gentle, and S. M. Stirling. Alternate Generals II (Baen), edited by Harry Turtledove, is also worthwhile, although it may appeal more to military history buffs than to the average reader, since a number of the stories here require more knowledge of the intricate details of past wars for full appreciation than the average reader is likely to possess. The best story here is William Sanders’s “Empire,” although there is also good work by Judith Tarr, Michael F. Flynn, Susan Shwartz, and others (I do wonder, though, how many people are going to be willing to pay $24.00 for this: I think they would have been better off bringing it out as an inexpensive mass-market paperback, like the first Alternate Generals anthology, than as an expensive hardcover). Alternate Gettysburgs (Berkley), edited by Brian M. Thomsen and Martin H. Greenberg, is even more specialized-if you’re not reasonably au courant with the American Civil War, and especially the Battle of Gettysburg, you might as well forget it; most of the stories in these three books are alternate history, unsurprisingly enough, but the best story in Alternate Gettysburgs is an SF story by William H. Keith, Jr., although there are also good stories by Kristine Kathryn Rusch, Brendan DuBois, and others here, probably enough to make it worthwhile as a $6.99 paperback (I wouldn’t have wanted to buy it as a $24.00 hardcover).

There was supposedly a new volume in the assembled-online “SFF.net” annual anthology series this year, called Beyond the Last Star, edited by Sherwood Smith, but I never saw it; I’ll have to save it for consideration for next year.

As usual, L. Ron Hubbard Presents Writers of the Future Volume XVIII (Bridge), edited by Algis Budrys, presents novice work by beginning writers, some of whom may later turn out to be important talents. Much the same could be said of Empire of Dreams and Miracles (Phobos), edited by Orson Scott Card, which features winners of the 1st Annual Phobos Fiction Contest.