The Year's Best Science Fiction, Vol. 20

Nobody in this market has as yet figured out a good, steady, reliable way to make money by publishing fiction online, and until that happens, many of these sites and e-zines are going to die from lack of capital and funds (production costs may be a lot lower for “publishing” an e-zine than for publishing an old-fashioned print magazine, but at the very least you still have to have money to pay for the stories, to say nothing of money to pay your staff-and it adds up), and the online market is not going to reach its full potential, which is considerable. Maybe the Fictionwise model, selling individual stories and books in the form of downloads for your PDA, or the Oceans of the Mind model, selling subscriptions to purchase whole issues of a magazine in downloadable form at regular intervals, will prove to be commercially viable, and become the wave of the future. Or maybe not. Only time will tell.

It was at best a so-so year in the print semiprozine market. Nothing has been heard from the once-prominent fiction semiprozine Century for more than two years now, and I’m beginning to wonder if we’re ever going to hear from it again. The acclaimed and long-running Australian fiction semiprozine Eidolon died this year, and Orb, Altair, and Terra Incognita have all gone “on hiatus,” a limbo from which few magazines ever return in the semiprozine world.

The titles consolidated under the umbrella of Warren Lapine’s DNA Publications- Fantastic Stories of the Imagination, Weird Tales, Chronicle (formerly Science Fiction Chronicle), the all-vampire-fiction magazine Dreams of Decadence; and Lapine’s original magazine, Absolute Magnitude, The Magazine of Science Fiction Adventures -were all still having trouble keeping to their announced publishing schedules this year, except for Chronicle, which met it, and which seemed to have held steady in circulation as well. The other DNA magazines all registered slight drops in circulation, although no disastrous plunges, and the sell-through for most of them was high as well. An ominous note was struck, though, by a note from publisher Warren Lapine in recent renewal notices to subscribers, which warns that unless subscribers not only renew but subscribe to an additional magazine or purchase a book listed on the back of the renewal flyer, DNA will have to cut costs, including the possibility that at least two magazines will be dropped. This doesn’t sound good.

The most stable of the fiction semiprozines seem to be the long-running Canadian semiprozine On Spec and the leading British semiprozine The Third Alternative, which were among the very few magazines in the entire semipro market to meet their announced production schedules this year. The slick, large-format The Third Alternative is one of the handsomest magazines out there, semiprozine or pro, and seems to just keep getting better, publishing fiction at a fully professional level, most of which remains slipstream and horror, although they’ve been adding a bit of science fiction to the mix of late as well-good stuff by John Grant, Ian Watson, Graham Joyce, Douglas Lain, and others, appeared in The Third Alternative this year. On Spec is another handsome magazine, and also published some good stuff this year by Charles Coleman Finlay, Karen Traviss, Kate Riedel, and others. Talebones, Fiction on the Dark Edge managed only two issues out of a scheduled four this year, but the editors had the best of excuses: the birth of a new baby. Talebones remains a lively little magazine, steadily improving, and published good fiction this year from William Barton, James Van Pelt, James Sallis, Beverly Suarez-Beard, and others.